野草』의 꿈속 상징에 대한 심리학적 고찰
A Psychological Study on Wild Grass' Symbols in Dreams
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이 논문은 루쉰의 산문시집인 『야초(野草)』에 수록되어 있는 꿈 관련 시들을 집중적으로 분석하였다. 꿈과 시 간의 유사성, 아울러 루쉰의 글이 꿈이란 형식으로 창작되었을 때 기대할 수 있는 효과 등을 고찰하여 루쉰이 『야초』의 시들을 지을 때 꿈이란 매체를 채용한 이유와 그의 의도를 살펴보았다. 또한, 꿈을 읊은 시들에 대해서 심리학의 꿈 이론을 참고하여 꿈의 내용과 꿈속의 상징 및 이미지들의 의미를 해독하였다. 이를 통해 자아성찰을 통한 죄의 인지와 그에 따른 죄책감, 그리고 속죄의 결의라는 주제가 루쉰의 시에 숨어 있다는 것을 발견하였다. 이처럼 본 논문은 문학뿐만 아니라 심리학에 의거함으로써 루쉰을 정의하는데 있어서 중요한 개념들인 “자아반성”과 “회심,” 그리고 “속죄” 등을 『야초』의 시에서 포착할 수 있다는 사실을 보여주었고, 이로써 루쉰의 창작에 대한 학제 간 또는 초학문적 연구가 가능하고 의미가 있다는 것을 증명하였다.
Abstract
This paper focuses its analysis on the dream related poems included in Wild Grass (Yecao), Lu Xun’s prose poem anthology. To start with, it studies Lu Xun’s purposes and reasons for choosing the medium called “dream” when composing poems in Wild Grass by scrutinizing the similarities between dreams and poems, and the effects that can be derived when Lu Xun’s ideas are conveyed through the form of dreams. On top of this, this paper also interprets the content of Wild Grass’ dreams and the meanings of symbols and images inside them by referring to psychological dream theories. Although literary reading on these poems may only lead to finding the superficial messages contained in Lu Xun’s dreams, such as Lu Xun’s criticism on hostile forces and the sordid social aspect or human images of that time, it is possible to discover Lu Xun’s self-examination, his sense of guilt, and his resolution for atonement, which are the key ideas of Lu Xun’s writings, based on dream theories. To be specific, due to government’s oppression of free speech, and his concern over the shock readers might get after understanding the reality of the Chinese society via reading his works, Lu Xun was obliged to tell lies in his writings. He felt guilty for this behavior and also for succeeding the feudal traditions and cultures of China. Therefore, he wandered and struggled while suffering from his guilt feeling. Eventually, he decided to expiate his guilt by vanishing with the old society and power that prevented China from being reformed. However, it was also shown from his poems that his resolution was not determined enough, that his hesitation and struggle were still not over, that he wanted to relieve himself of his heavy responsibility. Nevertheless, this inconsistent attitude of Lu Xun was merely a natural result of Lu Xun’s essence: “chaos” and “contradiction”, and it also explained why Lu Xun picked the form of dream, whose basic feature was disorder, to deliver his thoughts. As such, this study not only proves that psychological examination of Wild Grass’ dream related poems helps readers detect crucial concepts like “self-reflection,” “convincement,” and “penance” that define Lu Xun, but also proves that it is feasible and meaningful to carry out interdisciplinary or transdisciplinary research on Lu Xun’s writings.
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