현상학을 통한 생태학적 디자인 인식론의 특성 고찰 -후설의 생활세계 개념을 중심으로-

Abstract

(Background and Purpose) The biggest issue of the 21st century is related to the coexistence of the natural environment and science and technology. This is directly related to the crisis of human life. As incremental development gains momentum, it also goes beyond the will and plans of humans who use it as a tool. The ambiguity of design that occurs in this regard leads to insufficient reflection on design and causes excessive objectification and environmental pollution in the global environment. Therefore, it is required to solve the ecological problem of design beyond solving the problems of life caused by technological civilization. The goal of this study is to examine the scope of discussion in terms of design epistemology by revealing the ecological orientation contained in the concept of‘Lebenswelt’of Husserl phenomenology. (Method) Recognition of problems toward the ecological orientation of design begins with environmental ethics. Therefore, this study derives the scope of change in the epistemological value of design through the context corresponding to Husserl's perception of 'crisis'. It reveals that Husserl's concept of the‘Lebenswelt’considered in the study can be explained by the phenomenological logic containing the ecological perception of design. (Results) Design recognition requires a sublime paradigm close to truth that anyone can universally and reasonably sympathize with. Design should no longer be limited to a tool-level rhetorical interpretation. Various rhetorical language is required to metaphor surrounding objects born from elements of artifacts, not organic life mechanisms, as beings with one life as collateral. Therefore, meaningful topics (that were hidden) should be discovered and extended to ontological discussions so that the meaning of existence of things can be continuous with practical actions. (Conclusions) The process of examining in depth the correlation that occurs between the things we experience and the way we are conscious of these things is the phenomenological examination that Husserl emphasized. Through this process can our living world leap to a dimention, that is, not to the level of recognizing things only as things in themselves, but to the dimention of the meaning hidden within them. Therefore, we must move away from the idea of ​​creating only an artificial environment and shift to the role of a restorer who seeks to restore the natural environment and human life that has already been given to us. This stems from the process of establishing an attitude to find, criticize, and reflect on the conditions that cause ecological cracks in the world and is continuous with the realm of our obligations and responsibilities. Through this study, we hope that the phenomenological discourse toward ecological design epistemology can be dynamically activated.