<발리에서 생긴 일>의 이야기 구성 방식과 수용자 리얼리티 고찰
A Study on a Narrative System and a Reality of Audience, <Happening in Bali>
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「TV드라마 <꽃보다 아름다워> 연구」는 이안 엥의 ‘정서적 리얼리즘’ 개념을 관점으로 내세워 최근에 방영된 <꽃보다 아름다워>의 정서 구조를 중심으로 살폈다. 이 작품이 환유적 인물 관계 속에서 미움과 사랑, 선에 대한 동경, 동정과 연민, 화해와 용서의 정서구조가 있음을 밝혔고, 따뜻한 모성애와 가족애를 환기시키는 정서 구조를 통해 시청률뿐만 아니라 사회적 측면에서도 긍정적인 호응을 얻었다는 점을 강조하였다.
Abstract
A Study on a Narrative System and a Reality of Audience <Happening in Bali> Kim, So-eun TV drama <Happening in Bali> was successable to have a reality of audience, composing another's story in melo-drama established. According to melo-drama's convention established, it fineded a new melo-drama's category and a new convention of genre, without disturbing audience's expectation and a level. It was able to use a familiar and unfamiliar method. In this drama, making a pathetic's hero than a pathetic hero go a head, and an antagonist, it was a strategic method to get a ‘new something’. Besides, in this drama, ‘romantic love’ was role to get a character's unhappiness, disagreeing with a melo-drama's established. Such a narrative system, for example, composition of character, romantic love's elimination and audio-visual's materials, is a strategic method to get a reality of audience. This narrative system makes able to reduce a distance of a audience and narrative world, and to get a reality of audience. It gets accomplished in a discourse level. In this drama, Irony is a “frame”. Irony is a method to make able to see in a contrast to a truth and looks. Without revealing a heroine's truth, it represent a contredictory condition of character to make see a truth, amplifying a audience's question. Irony roled to make do a audience's self-reflection, as a “frame” dividing a reality and fiction's category.