<이십공신회맹축>의 구조 및 장황연구

Abstract

The Jangseogak of The Academy of Korean Studies has two <Yisipgongsin-hoimaeng-chuk(二十功臣會盟軸)>. One was produced <Yisipgongsin-hoimaeng-chuk-Youngkukgongsin Nokhoonhu> in 1646 (Injo 24) and the other was produced after the restoration of ‘Bosa’gong in 1694 (Sukjong 20). However, the official name is <Yisipgongsin-hoimaeng-chuk-Bosagongsin Nokhoonhu>. On the other hand, the existence of Hoemengchuk has six cases of Uigwe, including 『(Hoseong-seonmu-cheonnan-samgongsin) Gongsindogam-Uigwe』, Among them, the contents and Janghwang(粧䌙) culture of the current <Yisipgongsin-hoemang-chuk> can be confirmed by 『(Youngkuk Gongsin)Nokhundogam-Uigwe』, 『(Bosa Gongsin)Nokhundogam-Uigwe』, (Bosa Gongsin) Bokhoondogam-Uigwe』. The two current <Yisipgongsin-hoemang-chuk> are 24M long and 90cm wide, and created the best Janghwang culture of through accessories such as dahoeyoungja(多繪纓子), ivory, Sanghaengmok(上下橫木), and Okmaki(玉莫只), as well as fabrics used for the main. Moreover, these <Yisipgongsin-hoemang-chuk> were placed in a woodbox and wrapped in internal and external cloth. This can be said to prove that it was produced not just for looking but for enshrinement. In particular, the wide-width fabric used in the bon(本)was newly weaved, and the white twill fabric used for the byeona(邊兒) symbolized the permanent that does not break in all directions by placing peonies and orchids on the fingerprints of Manja(卍字) and Aja(亞字). In addition, Palbomun and Unbomun were placed brocade fabric used for the hoejang(回裝) and the choei(初衣), giving it a meaning of good fortune that symbolizes wealth, dabok(多福), and royal authority as well as beauty. This proves that he wanted to emphasize the covenant between tthe king and his subjects and to permanently enshrine the desire for the royal authority to last as the <Yisipgongsin-hoemang-chuk> which contains the best janghwang(粧䌙) culture of the Joseon royal family.