박태원 소설의 골목 표상과 이웃 생태학

Abstract

The Alley in the neighborhood of Park Tae-Won’s novel is an very important device of signifying mode. Alley with neighbors forms a meaningful anti continue to emerge in a number of notable works. Depending on these issues, we need to read Park Tae-Won’s novels published under the Japanese occupation. Alley in the Park Tae-Won’s novel has a formative power to cast out the life of the neighborhood, creating a true neighborhood. Park Tae-Won has reached the ethics and politics of a neighboring alley in his novel. Meticulous attention to the colonial city Kyounsoeng had produced successful results in shaping of the hope and reality that hope is frustrated about the happiness through a variety of novel experiments. There are neighborhoods among peoples who live in there alleyes. Moreover, Park Tae-Won also approached them as a neighborhood through the eyes of compassion and sympathy. But Park Tae-Won, looking down the possibility of human life in the streets and neighbors, had to reach a pessimistic perception. Park Tae-Won, in his novel writing process, showed the ecology of neighborhood solidarity that must co-exist and yet autonomously through the narrative of neighborhoods. Park Tae-Won has the meaning of esthetic resistance to the colonial situation facing the then totalitarian society. In that sense, Park Tae-Won’s novels are the narrative of decolonization.