淸代 論書詩 小考 - 形式論을 중심으로 -

Abstract

Nonseosi means a poem which discusses calligraphy by poem. This Nonseosi was originated from the poem of musical piece by Josik with the pen name of Jageon who was the first ranking person in terms of Geonan style. This model was established and developed through Leebaek and Doobo in the time of Tang Dynasty. In the time of Song Dynasty, the Nonseosi which pursued ‘lofty mind’ by Sosik and Hwang Jung-kyun was very popular and in terms of quantity, it made a rapid progress. On the other hand, in the times of Yuan Dynasty and Ming Dynasty, it was slowly dwindled without many changes and with reaction to this decline, there was a tendency to pursue traditional style of caligraphy and feelings of ancient sages. In Ching Dynasty, Nonseosi arrived at its meridian life along with epigraphy and the methodology of historical research. It did not mean meridian glory only in terms of quantity but also meant prosperity in terms of content since there were more poems which discussed more different types of calligraphy in earnest than previous times. In addition, as there was unsatisfactory point of expression to represent the feelings with short poems, Nonseosi of long poems and Nonseojeolgoo as the sequence type of Chinese quatrain came into vogue. In this thesis, the researcher examined what new forms of features were demonstrated in Qing Dynasty when Nonseosi was actively generated compared to previous times and through this investigation, the researcher analyzed Nonseosi of those times per type.