紫霞 申緯의 「貊錄」에 나타난 春川의 表象

Abstract

This study examined the representation of Chuncheon in 「Maekrok」 by Jaha Sinwi (1769~1845). 「Maekrok」, which contains 131 Chinese poems written while serving as a governor of Chuncheon, and 223 numbers, tried to reflect Jaha's careful observation and inspiration of the seasonal scenery of Chuncheon in his works. In 「Maekrok」, Jaha expressed the geographical place of Chuncheon and everyday life in Chinese poetry, projecting and symbolizing his own experience and sensibility. First of all, looking at the representation of ‘Gaeunhyang(可隱鄕)’ like fairyland, it seems that Jaha tried to understand the meaning of the name of the pavilion of the Chuncheon government office or the surrounding place names such as Mt. Bongui(鳳儀山) in connection with the actual scenery. Because of this, it can be said that it is a natural result that Chuncheon was represented as a fairyland. Furthermore, the perception has changed to a place where one can expect a retreat. Next, looking at the representation of Chungin-hyang(忠仁鄕) with Maekpung(貊風), Jaha discovered the Chungin(忠仁) tradition of Maekguk(貊國) in Chuncheon and tried to edify the people well by giving good selection as a pastoral official. In addition, by examining the geographical characteristics of Chuncheon, he created ‘Maekpung(貊風) 12 Chapters’, a kind of farming song, which shows that his interest in and understanding of the style of Maekguk(貊國) deepened. Lastly, looking at the representation of Mukyeon(墨緣) as a literary culture, Jaha made a connection with many people in Chuncheon by chanting poems or prose, or through works or letters on the signboard. In addition, with Jaha's reputation, his silent relationship gradually widened, such as leaving a piece of writing in a scenic spot in another place. This was possible because the conditions for Chuncheon as a literary and artistic town were created.