라스코 동굴 벽화의 이미지 기호 그룹화 분석
An analysis of the pattern grouping for the image codes of the wall paintings of the Cave of Lascaux
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As Margaret Mead indicates, the image code is a key word to know about the socio-cultural characteristics of the human-being and is also an excellent tool to get some essential informations for the very beginning of the civilizations. The wall paintings of the Paleolithic Caves do have some important basis with which the anthropologists and scientists could investigate on the socio-cultural paradigms of those societies, because there were no documents at all on count of the absence of the letters at that times. Naturally the figures and the paintings did the role of the letters. Therefore the figures and the paintings served as a text for the image codes. This investigation is to study on finding the special meanings of the that kind of paleolithic wall paintings such as those of the Cave of Lascaux. In general there are lots of wall paintings over the many sites of the Caves. It seems to be there without any kind of orders and formalities in describing the living things on the wall. Therefore there has been an academic needs to see them within the patterns or in groups, because those images served as letters in paleolithic eras. Specially we've focused on the figures of the wall paintings in the Cave of Lascaux, where there are more than 800 figures, that are classified by the pattern groups according to the sites, classes of the images and the relationship with the human figure. We've concluded that the image codes of the figures reflect the productivity of the living things and the vividness of the living things and the meaning of the birth and re-birth of living things.
Abstract
As Margaret Mead indicates, the image code is a key word to know about the socio-cultural characteristics of the human-being and is also an excellent tool to get some essential informations for the very beginning of the civilizations. The wall paintings of the Paleolithic Caves do have some important basis with which the anthropologists and scientists could investigate on the socio-cultural paradigms of those societies, because there were no documents at all on count of the absence of the letters at that times. Naturally the figures and the paintings did the role of the letters. Therefore the figures and the paintings served as a text for the image codes. This investigation is to study on finding the special meanings of the that kind of paleolithic wall paintings such as those of the Cave of Lascaux. In general there are lots of wall paintings over the many sites of the Caves. It seems to be there without any kind of orders and formalities in describing the living things on the wall. Therefore there has been an academic needs to see them within the patterns or in groups, because those images served as letters in paleolithic eras. Specially we've focused on the figures of the wall paintings in the Cave of Lascaux, where there are more than 800 figures, that are classified by the pattern groups according to the sites, classes of the images and the relationship with the human figure. We've concluded that the image codes of the figures reflect the productivity of the living things and the vividness of the living things and the meaning of the birth and re-birth of living things.
참고문헌 (24)
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