보들레르의『라 팡파를로』연구- 이원성과 아이러니의 미학 -

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참고문헌 (18)

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7. Hamon, "Philippe" (1996), Hachette
8. Howells, "Portrait of the Artist in 1846”", pp.426~439 (1983)
9. John, "Eclectic or Individualist?” in Nottingham French Studies", pp.10~21 (1981)
10. Mirat, Christian, "Baudelaire ou la dualit？ de l'artiste ？ la poursuite de l'unit？ primordiale", (4), pp.571~588 (1997), Paris
11. Pr?vost, Jean, Baudelaire, "Essai sur l'inspiration et la cr？ation po？tiques" (1997), Zulma
12. Robb, "？Lola Mont？s et la Fanfarlo？ in Etudes baudelairiennes", pp.55~70 (1987)
13. Tilby, "Quelques remarques sur Baudelaire et Th？ophile de Ferri？re？ in Les Lettres Romanes", pp.59~73 (1982)
14. Wing, "“The Poetics of Irony in Baudelaire's La Fanfarlo”", pp.165~189 (1975)
15. Wing, Nathaniel, "Between Genders: Narrating Difference in Early French Modernism" (2004)
16. tudes sur Baudelaire, "보들레르의 이로니 (2)", 50, pp.197~232 (2005)
17. Cordova, Sarah Davies, ""Stepping Out of Attitude : La Fanfarlo and Autobiography" in Dancing Bodies" (2000), AB: Banff Centre
18. Deguy, Michel, "Pour piquer dans le but, de mystique nature", pp.113~124 (1995)

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