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조셉 콘래드 소설의 공간과 인물 연구 - 『암흑의 핵심』을 중심으로

A Study on the space & the person of Joseph Conrad's novel - Focusing on The Heart Of Darkness

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주제분류영어와문학

초록

This study analyzes the space of Joseph Conrads' novel focusing on The Heart Of Darkness. The space consists of three types; Europe/Africa, Asia, and the Sea, they are linked closely and dealt with the medium to control character's walk. The spaces are described as having individuality and independency, such conditions contain both social and political specificity. That's the reason Conrads' novel has a political feature. Europe is depicted as the space rooted in imperialism, characters are from Europe, so Europe is the space they form their ways to think as their fundamental footing. Europe means the producing center of imperialism, Africa is the space of shamanism mixed with insanity from vast natural environment, primitive civilization and imperialism. It is based on both innate and acquired features by Europeans' invasion of Africa. Asia is depicted as having more potentiality than Africa although they are similar in a natural environment as well as culture. Unlike Africa, Asia is the affirmative and ideal space overcoming imperialism, the Sea in Conrads' novel is a powerful space. It makes connection between lands but is safe from the influence of the lands, So it is in neutral. In such a space, characters reflect on themselves beyond the effect of space. According to the main theme, the spaces are selected among four and this makes the various combination of space. That's the reason the space of Joseph Conrads' novel is complicated in spite of only four kinds of space. Joseph Conrad's how to use spaces in a novel is meaningful to a Korean novel. Korea experienced the colonialization of Japan, and still is under the influence of the United States Of America's military, economical, and cultural aspects. Also, the space in Korean novel has become smaller gradually by industrialization and urbanization. Therefore, it is crucial for Korea's novel to study Joseph Conrads' way to use spaces to enhance the political and social views of spaces and stimulate the prosperity of spaces.

Abstract

This study analyzes the space of Joseph Conrads' novel focusing on The Heart Of Darkness. The space consists of three types; Europe/Africa, Asia, and the Sea, they are linked closely and dealt with the medium to control character's walk. The spaces are described as having individuality and independency, such conditions contain both social and political specificity. That's the reason Conrads' novel has a political feature. Europe is depicted as the space rooted in imperialism, characters are from Europe, so Europe is the space they form their ways to think as their fundamental footing. Europe means the producing center of imperialism, Africa is the space of shamanism mixed with insanity from vast natural environment, primitive civilization and imperialism. It is based on both innate and acquired features by Europeans' invasion of Africa. Asia is depicted as having more potentiality than Africa although they are similar in a natural environment as well as culture. Unlike Africa, Asia is the affirmative and ideal space overcoming imperialism, the Sea in Conrads' novel is a powerful space. It makes connection between lands but is safe from the influence of the lands, So it is in neutral. In such a space, characters reflect on themselves beyond the effect of space. According to the main theme, the spaces are selected among four and this makes the various combination of space. That's the reason the space of Joseph Conrads' novel is complicated in spite of only four kinds of space. Joseph Conrad's how to use spaces in a novel is meaningful to a Korean novel. Korea experienced the colonialization of Japan, and still is under the influence of the United States Of America's military, economical, and cultural aspects. Also, the space in Korean novel has become smaller gradually by industrialization and urbanization. Therefore, it is crucial for Korea's novel to study Joseph Conrads' way to use spaces to enhance the political and social views of spaces and stimulate the prosperity of spaces.

참고문헌 (19)

  1. 고부응, "콘래드 소설과 식민주의 역사", 인문학연구, 29(1), pp.53~65 (2000)
  2. 김명희, "어둠의 핵심(Heart of Darkness)과 <지옥의 묵시록>(Apocalypse Now): 희생제의 이론과 개성화의 관점으로", 문학과 영상, 3(2), pp.9~240 (2002), 문학과영상학회
  3. 김순식, "다시 가본 『어둠의 속』: V. S. 나이폴의 『강이 굽어지는 곳』 고찰", 인문과학연구논총, 16, pp.133~152 (1997)
  4. 라에네크 위르봉, "부두교: 왜곡된 아프리카의 정신" (1999), 시공사
  5. 루츠 판 다이크, "처음 읽는 아프리카의 역사" (2005), 웅진지식하우스
  6. 박상기, "콘래드의 독특한 아프리카 재현", 영어영문학, 51(2), pp.403~421 (2005), 한국영어영문학회
  7. 박상기, "콘래드의 양가적 제국주의 비판", 영어영문학, 50(1), pp.265~290 (2004), 한국영어영문학회
  8. 이만식, "『어둠의 핵심』의 서술 전략", 19세기 영어권 문학, 12(1), pp.23~53 (2008), 19세기영어권문학회
  9. "19세기 영어권 문학", 2007, 159~190, pp.19세기영어권문학회
  10. 이태동, "콘라드의 인상주의 재고: 󰡔암흑의 핵심󰡕을 중심으로", 외국문학, 47, pp.162~177 (1996)
  11. 구동회, "공간과 장소" (2007), 대윤
  12. 조지프 콘래드, "암흑의 심연" (2008), 을유문화사
  13. 한보희, "K 이야기조지프 콘래드의 『어둠의 심연』과 프란씨스 포드 코폴라의 『지옥의 묵시록』", 안과밖:영미문학연구, 12, pp.290~298 (2002), 영미문학연구회
  14. 함정인, "콘라드의 모호성: ꡔ어둠의 한가운데ꡕ에 구현된 사회-정치적 이데올로기", 영어영문학21, 20(2), pp.45~64 (2007), 21세기영어영문학회
  15. Jocelyn Baines, "A Critical Biography" (1971), Penguin Books
  16. Joseph Conrad, "A Conrad Argosy" (1942), Doran & Company
  17. Joseph Conrad, "Heart Of Darkness and Other Tales" (2008), Oxford UP
  18. Joseph Conrad, "Lord Jim" (1968), W․W․Norton & Company
  19. Joseph Conrad, "Under Western Eyes" (1980), Penguin Books

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