Narrative of Return: Reconfirming American Identity and Home in Lydia Minatoya’s Talking to High Monks in the Snow
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The purpose of this essay is to examine the way in which in Talking to High Monks in the Snow, Lydia Minatoya raises the core issue of ethnic minority's identity crisis, and establishes her sense of home not in Asia but in America. Though not discussed in Asian American literature, Minatoya's text has been considered as non-conventional text which subverts the Japanese American autobiographical tradition. She refuses to depict her and her mother's memory of Japanese American history in terms of reinforcing stereotypical image of Japanese American. Throughout the text, she continues to resist becoming Japanese American defined by ethnicity and nationality. By strategically and relationally placing herself among communities, cultures, and nations, she draws a map of her identity as American in the contexts of others. However, confronting "a sense of rootedness in a particular geographical locale," Minatoya resists becoming a postmodern notion of mobile subject who can subsume a variety of identities with cultural and social memories. She rather reconfirms America as her permanent place and the fatherland in the end, which she needs to embrace ultimately in order to complete the formation of her self-identification. From this perspective, Minatoya who wants to be defined as an American writer in her deep consciousness produces a narrative of return to America from her long journey to Asia after she realizes that she has no problem with achieving the acceptance from her motherland, Japan or the other Asian countries. She, however, needs the acceptance from her fatherland, America where she has long been treated as ethnic other. While she says the acceptance as the explicit reason which she has to return to America, at the deep level of her narrative of return, Minatoya establishes a new subject with selective identity, who can determine her home and identity in the boundary of the United States.
Abstract
The purpose of this essay is to examine the way in which in Talking to High Monks in the Snow, Lydia Minatoya raises the core issue of ethnic minority's identity crisis, and establishes her sense of home not in Asia but in America. Though not discussed in Asian American literature, Minatoya's text has been considered as non-conventional text which subverts the Japanese American autobiographical tradition. She refuses to depict her and her mother's memory of Japanese American history in terms of reinforcing stereotypical image of Japanese American. Throughout the text, she continues to resist becoming Japanese American defined by ethnicity and nationality. By strategically and relationally placing herself among communities, cultures, and nations, she draws a map of her identity as American in the contexts of others. However, confronting "a sense of rootedness in a particular geographical locale," Minatoya resists becoming a postmodern notion of mobile subject who can subsume a variety of identities with cultural and social memories. She rather reconfirms America as her permanent place and the fatherland in the end, which she needs to embrace ultimately in order to complete the formation of her self-identification. From this perspective, Minatoya who wants to be defined as an American writer in her deep consciousness produces a narrative of return to America from her long journey to Asia after she realizes that she has no problem with achieving the acceptance from her motherland, Japan or the other Asian countries. She, however, needs the acceptance from her fatherland, America where she has long been treated as ethnic other. While she says the acceptance as the explicit reason which she has to return to America, at the deep level of her narrative of return, Minatoya establishes a new subject with selective identity, who can determine her home and identity in the boundary of the United States.
참고문헌 (20)
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