메타시의 새로운 영역

Abstract

Generally, meta-poetry is defined as ‘poetry about poetry, poetry about writing poetry’ in relation to poets who wrote poetry. When a poet includes other poems of his/her own or writes his/her own poem-writing process as a poem, it is commonly called meta-poetry. When the meta-poetry discussion was first brought up, it was accepted as an expression of the despair of modern poetics. However, if you do not read a poem in relation to its creator(poet), but if you relate it to the subject it deals with, a new area of ​​discussion will open. There is a meta-poetry that fits the definition of meta-poetry in the past, in other words, related to the poet’s own poetry or poetry. On the other hand, there is meta-poetry, which is not related to poets, and meta-poetry, in which the subject of poetry is the poetic language itself. The former character can be named ‘reflection’ of meta-poetry, and the latter ‘reproducibility’ of meta-poetry. The former is a meta structure that focuses on the subject in the relationship of ‘the subject/the object’, while the latter is a meta structure that focuses on the object in the relationship of ‘the subject/the object’. Representational meta-poetry is poetry in which the language of poetry does not signify the object (i.e., the poem designates an object outside the poem), but signifies the language itself (i.e., the poem takes language signs as its object). In the process of art development, it is inevitable that works of art will have a self-conscious structure that makes them their object. This phenomenon is often observed in modern poetry as well. In this paper, these aspects were divided into three categories. First, meta-poetry by arrangement of signs. This is a meta poem that appears when the signs that make up language are objectified. Second and third, meta-poetry by the shape and sound of signifiers. This is meta-poetry that appeared according to the iconographic and rhythmic elements of the signifiers. Fourth, meta-poetry by the development of signifieds. This is a meta-poetry written according to a particular arrangement of images. It is a meta-poetry that appeared according to the rhythm element. Representational meta-poetry can be said to be poetry that maximizes the power of symbols, and the power of language of poetry reaches its maximum. If meta-poetry is not placed under the consciousness and intention of the producer (poet), but focuses on the relationship between the work and its own symbol, a new possibility of poetics can be opened.