디아스포라 작가의 한숨과 향수—할레드 호세이니의 『그리고 산이 울렸다』를 중심으로
Diaspora Writer's Sighs and Nostalgias: A Study of Khaled Hosseini's And the Mountains Echoed
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Jacques Derrida notes that “displaced persons, exiles, those who deported, expelled, rootless, nomads, all share two sources of sighs, two nostalgias: their dead ones and their language.” What he says of exiles can apply to Khaled Hosseini, Afghan-born American writer who has published three novels: The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed. His novels are all based on Afghanistan and thereby reveal “sighs” and “nostalgias” for his homeland as well as for his native language which Derrida says is “the ensemble of culture.” This paper discusses his most recent novel And the Mountains Echoed in light of Derrida's remarks on exiles and displaced persons and highlights how Hosseini's “sighs” and “nostalgias” are embedded in the text. Also, this paper discusses in what ways Hosseini comes to terms with being “a foreigner by birth” and continues to return to Persian poets such as Jelaluddin Rumi and Forough Farrokhzad. It also addresses the question of betrayal and guilt stemming from the writer's existential situation in which he is forced to adopt and write in a foreign language.
Abstract
Jacques Derrida notes that “displaced persons, exiles, those who deported, expelled, rootless, nomads, all share two sources of sighs, two nostalgias: their dead ones and their language.” What he says of exiles can apply to Khaled Hosseini, Afghan-born American writer who has published three novels: The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed. His novels are all based on Afghanistan and thereby reveal “sighs” and “nostalgias” for his homeland as well as for his native language which Derrida says is “the ensemble of culture.” This paper discusses his most recent novel And the Mountains Echoed in light of Derrida's remarks on exiles and displaced persons and highlights how Hosseini's “sighs” and “nostalgias” are embedded in the text. Also, this paper discusses in what ways Hosseini comes to terms with being “a foreigner by birth” and continues to return to Persian poets such as Jelaluddin Rumi and Forough Farrokhzad. It also addresses the question of betrayal and guilt stemming from the writer's existential situation in which he is forced to adopt and write in a foreign language.
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