정치이데올로기와 음악비평: 푸치니 오페라 평가에서 드러난 이중적 잣대 분석
Political Ideology and Music :Based on Puccini criticism in early Twentieth-Century Italy
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Apart from his sustaining international fame, Giacomo Puccini received contrasting criticism in Italy from the progressive nationalists and Mussolini's fascism. In the early twentieth-century, Italy had underwent social upheavals and anxiety about the national identity before Benito Mussolini's Fascist party came into power. During this period, Italian criticism of Puccini reflects generational conflicts over nationalism and internationalism, and over conservative and progressive values. Based on such a historical condition, this thesis investigates the way how political ideology such as Filippo Tommaso Marinetti‘s Futurism and Italian Fascism influences music criticism and an artist's achievement is used as a means of propaganda. Examples of critical narrative include the Futurist attack on Puccini and opera culture, commencing from 'futurist manifesto' in 1909, and ideological conflicts surrounding the premiere of Puccini's Turandot in 1926.
Abstract
Apart from his sustaining international fame, Giacomo Puccini received contrasting criticism in Italy from the progressive nationalists and Mussolini's fascism. In the early twentieth-century, Italy had underwent social upheavals and anxiety about the national identity before Benito Mussolini's Fascist party came into power. During this period, Italian criticism of Puccini reflects generational conflicts over nationalism and internationalism, and over conservative and progressive values. Based on such a historical condition, this thesis investigates the way how political ideology such as Filippo Tommaso Marinetti‘s Futurism and Italian Fascism influences music criticism and an artist's achievement is used as a means of propaganda. Examples of critical narrative include the Futurist attack on Puccini and opera culture, commencing from 'futurist manifesto' in 1909, and ideological conflicts surrounding the premiere of Puccini's Turandot in 1926.
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