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음악학에서 소리연구(Sound Studies)로

From Musicology to Sound Studies

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주제분류음악학

초록

The purpose of the article is to introduce Sound Studies to musicologiests and to invite them to this new scholastic area. The meaning`of sound is not defined but constructed in the scoio-cultural context. Sound Studies pursues the meaning of sound. It is rather an extension of the conventional musicology than a new invention. If the musicologists’ work is to find the meaning of sound within the context of musical composition, Sound Studies scholars trie to find it within the scoio-cultural context. If musicologists have been tried to read the society and culture that are carved in the musical works, Sound Studies try to ‘haer’ classes, genders, generation gaps, and regional differences through the ubiquitous and acousmatic sound around us.

Abstract

The purpose of the article is to introduce Sound Studies to musicologiests and to invite them to this new scholastic area. The meaning`of sound is not defined but constructed in the scoio-cultural context. Sound Studies pursues the meaning of sound. It is rather an extension of the conventional musicology than a new invention. If the musicologists’ work is to find the meaning of sound within the context of musical composition, Sound Studies scholars trie to find it within the scoio-cultural context. If musicologists have been tried to read the society and culture that are carved in the musical works, Sound Studies try to ‘haer’ classes, genders, generation gaps, and regional differences through the ubiquitous and acousmatic sound around us.

참고문헌 (22)

  1. Adler, Guido, "음악학 원전 강독" (2005), 심설당
  2. Attali, Jacques, "Bruit" (1977), Presse Universitaires de France
  3. Attali, Jacques, "Noise" (1985), University of Minnesota Press
  4. Bull, Michael, "The Routledge Companion to Sound Studies" (2019), Routledge
  5. Cheng, William, "Sound Play" (2014), Oxford University Press
  6. Cobussen, Marchel, "The Routledge Companion to Sounding Art" (2017), Routledge
  7. Denora, Tia, "Music in Everyday Life" (2009), Cambridge University Press
  8. Erlmann, Veit, "Reason and Resonance: A History of Modern Aurality" (2009), Zone Books
  9. Hosokawa, Shuhei, "The Walkman Effect", Popular Music, 4, pp.165~180 (1984)
  10. Karnes, Kevin, C., "Music, Criticism, and the Challenge of History" (2008), Oxford University Press
  11. Kassabian, Anahid, "Ubiquitous Listening" (2013), University of California Press
  12. Kramer Lawrence, "The Musicology of the Future", Repercussions, 1(1), pp.5~18 (1992)
  13. Kramer Lawrence, "The Hum of the World" (2018), University of California Press
  14. MacClary, Susan, "Modal Subjectivities" (2004), University of California Press
  15. Noriko, Manabe, "Music in Japanese Antinuclear Demonstrations: The Evolution of a Contentious Performance Model", The Asia-Pacific Journal, 11(3) (2013)[DOI]
  16. Pinch, Trevor, "The Oxford Handbook of Sound Studies" (2012), Oxford University Press
  17. Schaffer, R. Murray, "The Soundscape: Our Sonic Environment and Tuning of the World" (1994), Destiny Books
  18. Steintrager, James A., "Sound Objects" (2019), Duke University Press
  19. Stern, Jonathan, "The Audible Past" (2003), Duke University Press
  20. Stern, Jonathan, "The Sound Studies Reader" (2012), Routledge
  21. Tomlinson, Gary, "Musical Past and Postmodern Musicologies: A Response to Lawrence Kramer", Current Musicology, 53, pp.18~24 (1993)
  22. Taruskin, Richard, "Text and Act" (1995), Oxford University Press

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