바흐연구와 2020년을 맞는 한국음악학 안의 기억과 기록
A Brief Report on Bach Scholarship and Musicology in Korea
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This study traces various ways in which Western Bach scholarship has changed its aim, direction, and methodology for the last three decades, implicitly or explicitly, reflecting new criticism and attitude perceived in the studies of the Western musicology for the last couple of decades. It also illustrates that Bach scholarship in West has moved from the traditional source studies to the contextualized discussions in which Bach’s music is read in respect to the emergence of Postmodernism and even Globalization. Finally, this study turns its attention to Bach reception here in Korea, pointing out the critical and indigenous efforts to read Bach’s music given by Korean musicologists since 1980s. And this study argues that the kind of effort need to be carried out by our generation as well.
Abstract
This study traces various ways in which Western Bach scholarship has changed its aim, direction, and methodology for the last three decades, implicitly or explicitly, reflecting new criticism and attitude perceived in the studies of the Western musicology for the last couple of decades. It also illustrates that Bach scholarship in West has moved from the traditional source studies to the contextualized discussions in which Bach’s music is read in respect to the emergence of Postmodernism and even Globalization. Finally, this study turns its attention to Bach reception here in Korea, pointing out the critical and indigenous efforts to read Bach’s music given by Korean musicologists since 1980s. And this study argues that the kind of effort need to be carried out by our generation as well.
참고문헌 (28)
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