대구 공산농요의 지역성과 특수성에 관한 고찰

Abstract

In this paper, we examined the locality and specificity of Gongsan Nongyo. First, communist farmers' songs were an area where they shared the sounds of the culture by singing "Mosimgi Sound", "Eosa Yong", "Qingqingisori", and Cha Ryu's "Manggaesori", which are evenly spread throughout Gyeongsang-do, and it was a place where "Ongheya Sound" was transmitted as "Thresing Sound" as the center of the central and southern part of Gyeongsangbuk-do. In other words, it seems that it played a role as a center for spreading specific sounds while sharing a music culture shared by the whole of Gyeongsang-do. In addition, it shows its own aspect by narrating sounds only sung in the region in "The Sound of Paddy Gull" and "Garae Sound". In other words, the regional identity of Gongsan Nongyo is understood as a place where some independent sounds are transmitted while forming a folk song centered on Daegu on the basis of the sound in Gyeongsang-do. Members of the Preservation Society, which transmits Gongsan Nongyo, should clearly recognize this regional identity and then work on the transmission with subjectivity and pride. It was also confirmed that Gongsan Nongyo has individual characteristics of popularity and popularity. Among the songs handed down by Gongsan Nongyo, "Ongheya" is a barley threshing sound that is widely passed down to the neighboring region, centering on Daegu, and in Gongsan Nongyo, the chorus part, which is transformed from popular folk songs, is sometimes accepted in reverse. In addition, some of the popularity of the holder Song Mun-chang's singing method and sigimsae can be confirmed, and these characteristics can be a good factor in arranging or utilizing Gongsan Nongyo in the future.