한국 전통음악의 동시대성 사유의 점검
Contemporaneity of Korean Traditional Music: Examination of Thoughts
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This study, which aims to examine of thoughts what the simultaneity of traditional music is, discusses the possibility of traditional music as contemporary art and the present of traditional music between institutions, theories, discourse, and sites. Internalized essentialism along with the institutionalization of Korean traditional music helped cast "pure Korean-ness" in conjunction with Korean traditional music. However, through the cultural property system for preservation, a gap was created from the daily lives of the people of the time. The university-centered education of Korean traditional music experts pursued modernization based on Western modernity, which contradicted the essentialist attitude. This is because essentialism blocked the possibility of traditional music as contemporary art by labeling contemporary performances with "damage" or "distortion" through the authority of "original." However, the possibility of contemporary art is confirmed by the reflective performance of artists who began to ask questions about the modern institutionalization of Korean traditional music. On the other hand, the discussion of the contemporary generation of traditional music is impossible without changes in the attitude and sensitivity of contemporary Korean audience who are expected to appreciate this music. The contemporaneity of Korean traditional music cannot be obtained without overcoming the other-ization and alienation of traditional music brought by the internalized Western-centered attitude.
Abstract
This study, which aims to examine of thoughts what the simultaneity of traditional music is, discusses the possibility of traditional music as contemporary art and the present of traditional music between institutions, theories, discourse, and sites. Internalized essentialism along with the institutionalization of Korean traditional music helped cast "pure Korean-ness" in conjunction with Korean traditional music. However, through the cultural property system for preservation, a gap was created from the daily lives of the people of the time. The university-centered education of Korean traditional music experts pursued modernization based on Western modernity, which contradicted the essentialist attitude. This is because essentialism blocked the possibility of traditional music as contemporary art by labeling contemporary performances with "damage" or "distortion" through the authority of "original." However, the possibility of contemporary art is confirmed by the reflective performance of artists who began to ask questions about the modern institutionalization of Korean traditional music. On the other hand, the discussion of the contemporary generation of traditional music is impossible without changes in the attitude and sensitivity of contemporary Korean audience who are expected to appreciate this music. The contemporaneity of Korean traditional music cannot be obtained without overcoming the other-ization and alienation of traditional music brought by the internalized Western-centered attitude.
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