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닫힌 공간에서 열린 세계로― 샘 셰퍼드의 가족극을 중심으로

From the Closed Space to the Open World- A Study on Sam Shepard's Family Trilogy Drama -

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참고문헌 (25)

  1. Baudrillard, Jean, "Chris Turner" (1986), London: Verso
  2. Berkowitz, Gerald M, "American Drama of the Twentieth Century" (1992)
  3. Bigsiby, C.W.E, "Modern American Drama" (1992)
  4. Bryer, Jackson R, "The Playwright's Art: Conversation with Contemporary American Dramatists" (1995)
  5. Grant, Gary, "Shifting the paradigm: Shepard, Myth, and the Transformation of Consciousness", pp.120~131 (1993)
  6. Hart, Linda, "Sam Shepard's Metaphorical Stage" (1984)
  7. Hayes, Michael J, "Sam Shepard" (1995), London: Macmillan
  8. Mann Bruce J, "Character Behavior and the Fantastic in Sam Shepard's Buried Child" (1988)
  9. Nash, Thomas, "Sam Shepard's Buried Child: The Ironic Use of Folklore" (1987)
  10. Richard, Gilman, "Introduction" (1981)
  11. Rosen, Carol, "Emotional Territory: An Interview with Sam Shepard", pp.1~11 (1993)
  12. Roth, John K, "American diversity, American Identity" (1995), New York: Henry Holt
  13. Roudan, Matthew C, "American Drama Since 1960: A Critical History" (1996), New York: Twayne
  14. Schvey, Henry I, "A worm in the Wood The Father-Son Relationship in the plays of Sam Shepard", pp.12~27 (1993)
  15. Shepard, Sam, "Seven Plays" (1981)
  16. "Fool For Love and Other Plays" (1988)
  17. Shewey, Don, "Sam Shepard" (1997), New York: Da Capo Press
  18. Willadt, Susanne, "States of War in Sam Shepard's State of Shock", pp.147~166 (1993)
  19. Willams, Megan, "Nowhere Man and the Twentieth-Century Cowboy: Images of Identity and American History in Sam Shepard's True West", 40, pp.57~73 (1997)
  20. 로드 스턴, "미국문학 사상의 배경" (1991)
  21. 린다 허천, "포스트모더니즘의 이론과 전략" (1998), 현대미학사
  22. 이형식, "현대미국희곡론" (1995), 신아사
  23. 존 버거, "영상커뮤니케이션과 사회" (1993)
  24. 태혜숙, "미국문화의 이해" (1997), 중명
  25. 한남제, "미국의 가족제도" (1991), 경북대학교출판부

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