부산의 문화와 디지털 스토리텔링의 가능성

Abstract

In Section 1, we have pointed out two problems that culture city of Busan needs to solve. One is that the traditional culture is not fully used to create new culture, and the other is that international cultural festivals that are growing remarkably are centered on the consumption of the culture rather than its production. In Section 2, we have examined the cases of storytelling-based cultural content productions in Busan. Representative of them is In Hyeon's song <Kutseeora Geumsuna>, which was developed as performance contents, called Dongmyungeu Akgeok and festival contents, called Hyun In Gayoje. In addition, musical Jagalchi that dramatizes the lives of Jagalchi market's merchants, and opers Pureun gitbal that dramatizes the keeper of Dogdo Island, Young-Bok Ahn. In Section 3, efforts have been made to develop storytelling that is essential to digitalizing the current Busan cultural contents that are analogue performance content-oriented. One such effort is to postulate imaginary digital storytelling Cheonmajeolyoung and to present three springboard stories to complete it. The first of the three stories is the motif of the narration Palseonkwahae, one of the best ten Chinese classics. The second is the motif of Seobulkwaji, the story of a Chinese man looking for a herb of eternal youth, and the third is the motif of Cheonmajeolyoung, the myth and narration associated with Bongrae mountain in Busan. If the imaginary storytelling of Cheonmajeolyoung is realized and completed, it is expected to be used to develop other related digital contents such as games, animation, and movie and to develop Busan tourism contents including a character industry.