삼국유사 향가에서 수용의 문맥과 서정주체

Abstract

This paper is to begin a study of the Lyric Persona of Hyangga in Samgookyoosa from its nature of the lyricism of Hyangga itself. The researches of the lyricism of Hyangga have been made by these days, but there are many obstacles to understanding it. We study the context about the aspect of the acceptance in Hyangga and its transmission story in Samgookyoosa, divided according to the usefulness and the lyricism. They displayed an harmony in collusion with the history of Shilla culture. Next, we turn around the stronghold of the harmony between the text and the context in Hyangga and its transmission story. By the arrangement of the role of the speaker and the reader in the transmission story, we can reach the nature of Hyangga and its role in the history of the old Korean poetry. The Lyric Persona is an wide concept of the poetic ego including the reader in the transmission story. By this concept, the radical aspect of some Hyangga will be catched. Some Hyangga text doesn't have any lyrical element but complemented by the transmission story. A few lyrical element of some Hyangga text can be recognized the usefulness of in the real. This element is very important to approach the sense of Shilla people.