박두진의 현실주의적 시론이 지닌 비평적 위상 -『한국현대시론』및『현대시의 이해와 체험』을 중심으로

Abstract

While the most of the existing study on Park Dujin was the his poetry text, I tried the study on his poetics that was the blind spot in study of the Park Dujin. His easy on poetry was the poetry text which was from Japanese colony period to the 1970s and his point of poetic view keeping in mind was closely expressed in his poetics. It was his unique realistic poetics and poetic ethics in which ‘modern poetry as a national poetry’ was to pursue and to complete esthetic achievement of ethical beauty blended poetical truth. It was not the critical mind on the practical participation in the low level but the practical participation in the hihg level, that was to aware clerly the inside adn outside of modern world and to purse together aesthetic value of artistically sublimated poetry. The thing Park Dujin emphasizes was to do poetic struggle against modern evil of modern wordl. It was to refine his realistic poetry mind that rescues the mankind not escaping from the reality of history and period. His these realistic poetics was the same connection with a critical position of a participation party in the 1960s and 70s. Moreover as the criticism of 4.19 generation erected mature participation, his realistic poetics played an important role to raise participation staying in the low level into the high level. In other words, while his realistic poetics had nothing to do with realistic awareness of so called participant literature in the 1960s and 70s, his critical position should not be regardedas breaking with critical position of a contemporary. Although being out of a literary mainstream of a realistic party in a contemporary, he had a clear difference with a critical position having nothing to do with reslity in the name of pure literature.