삼국유사 신충괘관조의 의미소통과 향가 원가의 정서적 지향

Abstract

This thesis is a study on the communication of narrative meaning in Samgukyusa Shinchoonggwagwan and on narrative phase and emotional directivity of <Wonga> a kind of Hyangga. The Connection of two opposite meaning, entering the government service and withdrawing from the post which are dividing the narration of <Shinchoonggwagwan> into two, is the key point of revealing the context of the communication of this narration. A story of Shinchoong under a reign of King Hyusung is a narration of 'trust', which has a narrative meaning of "trust" as a key point, and shows a narrative development. Through a narrative meaning of retrieving trust the story of withdrawing from a post loses an antisocial meaning. Then, there begins a better context of narrative communication between entering and withdrawing from a government services, and, at last, the story of Shinchoong becomes a 'narration of royalty'. As seen above, a narration of <Shinchoonggwagwan> that represents a meaning of trust and royalty can be exactly included in the context of communication through the whole narration of Seclusion chapter which presents 'winning honorable social value'. Also, Ilyon's a glorifying poetry attached at the end of the story through presenting feeling of royalty the poetry closely interacts with the narrative meaning of the story of Seclusion chapter. Even though there are only eight lines transmitted today, a narrative phase of <Wonga>, which can be found during a course of connection from Shinchoong in the reign of King Hyosung to Haewon through Shinwon, specifically, is ended with a grudge in resignation as making a emotional conclusion as one song. This <Wonga> has a more individual and specific sign as a song included in a lyric genre Hyangga since it is not aiming oppositive emotion toward others or the world.