三島由紀夫橋づくし論

Abstract

"Hashitukushi" is evaluated with a masterpiece in a number short piece having much of Mishima with a work announced in December, 1956 by magazine "Bungeishunju".　Night of lunar calendar August 15, geisha Koyumi and Kanako and Mina of three people and a maid of Masako of a restaurant go out for "hashitukushi" and ascetic practice of silence to say. A wish is to come true when I pray for seven bridges for order with "hashitukushi" here. And it is only Mina among four people that finished wish safely after all. I assigned a focus to representation of unusual work structure and tried to lecture while thinking about relevance with "Hashitukushi of a trace" of Chikamatsu of epigraph by this report. And "Hashitukushi" paid attention to announced age and tried to investigate the important meaning that I chased author Mishima who was able to go, and Mishima aimed at one turning point. In other words "Hashitukushi" seems to confront "Hashitukushi of a trace" of epigraph. And opposition structure of a work highlights tasteless phases of the times. It does a metaphor of disharmony of dualism with the inside and the outside in a writer, and express unshapely reality; may ask it it.