드라마의 텍스트적 육체성 - 최인훈의 <봄이 오면 山에 들에>를 중심으로 -
The textual corporeality of a drama - with Choi Inhoon's <When spring comes, to the mountains, to the fields> as the center -
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This paper's aim is to study analytical model for the textual corporeality of a drama by approaching a body's role on a dramatic text within the framework of characteristic figural techniques and plotting strategies. That is, this thesis pays attention to narrative constituents related issue of a body, for example, a character's body, an interrelation between a body and a plot's temporal structure. As a result, this research's thema is to investigate the most important issue in a dramatic text's corporeal narratology. In other words, this thesis is interested in establishing a justified perspective on the textual corporeality of a literary work focused upon a drama. Therefore, the analysis of a drama's textual corporeality will sharpen the focus of the discussion about an interrelation among a body, language and narrative. At that same time, it is expected to answer the question about an interaction between texts and readers. A textual corporeality in this article is defined to how bodies are employed to construct drama's characters, plots, and time-space structures. In brief, it will approach how bodies contribute to a dramatic narrative. Namely, corporeal narratology's methodology is to clarify what and how bodily factor is constructed in the drama. A corporeal narratology's aim is to answer the question, for instance, how textual effects does a body produce to a dramatic textual structure? and how does the embodiment's experience within a play influence on a reader's cognitive process?An object of study is Choi Inhoon's <When spring comes, to the mountains, to the fields>. This text has many secondary instructions, so, the drama text itself functions as a autonomous entity, and makes a mediative-communication structure that enriches explanatory and descriptive narrations. That is, because this text has not only intense narrative functions but also topics about lepers' disable bodies, this article will analyse it in order to read in detail a drama's textual corporeality.
Abstract
This paper's aim is to study analytical model for the textual corporeality of a drama by approaching a body's role on a dramatic text within the framework of characteristic figural techniques and plotting strategies. That is, this thesis pays attention to narrative constituents related issue of a body, for example, a character's body, an interrelation between a body and a plot's temporal structure. As a result, this research's thema is to investigate the most important issue in a dramatic text's corporeal narratology. In other words, this thesis is interested in establishing a justified perspective on the textual corporeality of a literary work focused upon a drama. Therefore, the analysis of a drama's textual corporeality will sharpen the focus of the discussion about an interrelation among a body, language and narrative. At that same time, it is expected to answer the question about an interaction between texts and readers. A textual corporeality in this article is defined to how bodies are employed to construct drama's characters, plots, and time-space structures. In brief, it will approach how bodies contribute to a dramatic narrative. Namely, corporeal narratology's methodology is to clarify what and how bodily factor is constructed in the drama. A corporeal narratology's aim is to answer the question, for instance, how textual effects does a body produce to a dramatic textual structure? and how does the embodiment's experience within a play influence on a reader's cognitive process?An object of study is Choi Inhoon's <When spring comes, to the mountains, to the fields>. This text has many secondary instructions, so, the drama text itself functions as a autonomous entity, and makes a mediative-communication structure that enriches explanatory and descriptive narrations. That is, because this text has not only intense narrative functions but also topics about lepers' disable bodies, this article will analyse it in order to read in detail a drama's textual corporeality.
참고문헌 (18)
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