근대 문학장의 민요 수용과 상징적 계보 연구

Abstract

This paper is a study on Kim Youngrang’ poetry in the 1930's. Kim Youngrang has been rated as a poet of a pure poetry. These discussions criticize his poetry as anti-national literature. When you look in to the history of his life, seems to disagree with such assessments. And such terms, the early poetry and medium poetry are closely cannot explain well that. This paper is scanned inconnection with tradition about his poetry. The advantage of this research gains the relevance of the poet's life and poetry. And at the same time, this discussion can explain the a consistent flow from early poetry to medium poetry. This study regard that Folk Ballads affects Kim Youngrang’ life and poetry. Or Folk Ballads explain ethnic consciousness of the medium poetry was raised from ethnic sentiments of early poetry. He provides the concept of ‘chockggy’ from the Folk Ballads. This ‘chockggy’ is optimistic ethnic sentiments. The optimism is exposed in his poetry too. In particular, namdo Folk Ballads, Yugjabaegi songs sadness through the lover's farewell. His poetry is the intervention of death. To masimize individual's sadness is the river. The river is a watercourse of national grief. In addition to, a cuckoo appears frequently in namdo Folk Ballads, it means deracine. Kim Youngrang is also so in his poetry. Choon-hyang born in namdo, appearances many times in namdo Folk Ballads. It symbolizes the faith and the loyalty. This is important to our nation's virtues.