李穡과 金宗直의 「觀魚臺小賦」와 「觀魚臺賦」 攷

Abstract

This thesis examines how the relation of Mokeun Leesaek and Jumpiljae Kimjongjik's 「The poetical prose of a tableland of looking on fishes」 with a background of creation, formality meaning, etc. Mokeun created this article with serenity of mind. He watched things with genuineness. His work was not aroused or exasperated, but Jumpiljae's was exited. At styles, Mokeun and Jumpiljae imitated from Gulwon's 「Yiso」, but these two articles are not based on a style of pairing four with six words. They based on archaic writings. These two works belong a poetical prose of composition. These are similar to the style of rhythmical descriptive prose interspersed with but which are not completely. When Mokeun's work was created which is hard to a historical research. It's may be at his old days. The atmosphere of his poetical prose was not exited or aroused. In his article, he contemplated THE NATURE with serenity of mind. But Jumpiljae's was not allied to Mokeun's. The of sameness between Mokeun's and Jumpiljae's are view of THE PATH. They considered an accordance with THE NATURE of THE PATH. At this point, their spiritual sphere was an idea of the unity of THE NATURE and humankind. Jumpiljae and Sagajung took pattern by Mokeun's work. At the latter period, the classical scholars of Yeungnam are same case. When the government service examination were hold at Yeunghae, the Mokeun's work was an example. It's similar to venerating of Sodongpa's 「The poetical prose of Red Wall」. This is the significance of Mokeun's poetical prose.