蓮軒 李宜茂의 辭賦文學 연구

Abstract

This paper is a literary study on the 10 existing poems by Yeonheon(蓮軒) LeeUimu(李宜茂)(1449～1507), a writer in the early Joseon Dynasty. Yeonheon is the representative writer of transition period in the historical development of Sa-bu(辭賦). And compared to other Sa-bu(辭賦) writers, he left behind a relatively large number of works. The rather short and comprehensive title of Yeonheon Sa-bu(辭賦) follows the characteristics of the Go-bu(古賦) that make it possible to compose a variety of texts. The Sa-bu(辭賦) of Yeonheon is classified as a Go-bu(古賦) in terms of form, but the proportion of Uisoche(擬騷体) is small. In terms of subject matter, works that foresee the trend of Neo-Confucianism Sa-bu(辭賦) are confirmed, and also works that contain the Taoist tradition that inherited the tradition of poetry are confirmed. Most of the works of Yeonheon Sa-bu(辭賦) are present after the age of 33, but the four bu(賦), whose creation date is unknown, criticize the chaotic reality of politics or aim for the Jeon-wonhangeo(田園閑居). Therefore, it is presumed to be a work of the Hongjumogsa(洪州牧使) period. Considering the period of creation of the Chinese poems with similar themes, the one 辭 is presumed to be the work in the early years of his official life. Yeonheon Sa-bu(辭賦) work world clearly reflected the characteristics of the transition period. First, looking at the works emphasizing moral discipline and filial piety, 「Hyeonghwabu(螢火賦)」 emphasized the theory of personal discipline while 「Huiubu(喜雨賦)」 emphasized the discipline of the monarch. 「Ujeyusanbu(雨霽遊山賦)」 and 「Hwaseogjeongbu(花石亭賦)」 were created right after Yeonheon finished his funeral after his mother's death. And while inheriting the works of Jinsado(陳師道) and Leedalchung(李達衷), they are not ideological, but connect the artist's experience with the filial piety, delivered experientially. Second, looking at the works that show the remarks and recollections of the historical events, the 「Pyeongseungnubu(平乘樓賦)」 related to the historical history of the Hwan-on(桓溫), 「Souuisajabu(綉衣使者賦)」 related to the ancient history of Hanmuje(漢武帝), the 「Sujelyubu(隋堤柳賦)」 related to the ancient history of the Suyangje(隋煬帝) is a work that shows Yeonheon's critical opinion on the times of the time by using the form of Sa-bu(辭賦). 「Sabdongbansa(歃銅盤辭)」, which is related to the historical story of Mosujacheon(毛遂自薦), is a work that shows the aspirations of the author by changing a historical text into a Sa-bu(辭賦). Third, if we look at the works that reflect the Taoist traditions and principles, 「Cheongjumangseonnubu(淸州望仙樓賦)」 aims for the envy of paradise and the life of the Jeon-wonhangeo(田園閑居). 「Hyulyubu(鵂鶹賦)」 adopted the contents and theme of 「Bogjobu(鵩鳥賦)」 of Gaui(賈誼), revealing that it is in sync with the relativistic worldview of the Dao family.