본문 바로가기
KERD
논문KCI 등재

국책영화 <속 팔도강산 - 세계를 간다> (1968) 속의 재현된 아프리카 이미지와 조국근대화 담론

Discussion on Modernization and Image of Africa Reproduced in National Movie, 'The Land of Korea'(Paldo-gangsan II)

1

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류학제간연구

초록

The African Continent was a very unfamiliar space to Koreans. The typical symbols that Koreans may have were 'primitiveness', 'savageness', 'poverty', 'diseases', 'political chaos' and so on. However the appearance of Africa appeared in the national movie, ‘The Land of Korea'(Paldo-gangsan II), produced by Ministry of Culture and Public Information, a State agency, in 1960 shows a big difference with those symbols. It is described positively as a space with modernized buildings and lives. At that time, the Government of Park Chung-hee felt the necessity of enlightening the people throughout the world in order to get a driving power of Motherland-modernization and this movie was the one produced to faithfully serve in this purpose. Accordingly, the national pride and the people's frontier spirit of Korea that has the time-honored traditions and history is awakened through Africa. And also it asks the people to see Africa in a positive viewpoint, not in the existing negative viewpoint. It is because it was the hidden purpose of this movie to encourage the people to earn dollars necessary for economic development by promoting the exports of commodities and labor forces to this unknown continent. South Korean Government absolutely needed the diplomatic supports from the emerging African countries in UN for the national security in the late 1960s. In order to make this possible, as there was a need to turn the negative image that the people have of Africa to a positive one, the positive image of Africa in the movie was made up in the purpose of gaining the political supports from these countries. Because of this, Africa is reflected in the appearance of having achieved Western modernization in this movie, not in the existence of the countries that have various and complicated problems by colonialism. Because this kind of image was made up in the political and economic interests of Korean Government at that time, if the circumstances that made this are changed, that image will be changed as well.

Abstract

The African Continent was a very unfamiliar space to Koreans. The typical symbols that Koreans may have were 'primitiveness', 'savageness', 'poverty', 'diseases', 'political chaos' and so on. However the appearance of Africa appeared in the national movie, ‘The Land of Korea'(Paldo-gangsan II), produced by Ministry of Culture and Public Information, a State agency, in 1960 shows a big difference with those symbols. It is described positively as a space with modernized buildings and lives. At that time, the Government of Park Chung-hee felt the necessity of enlightening the people throughout the world in order to get a driving power of Motherland-modernization and this movie was the one produced to faithfully serve in this purpose. Accordingly, the national pride and the people's frontier spirit of Korea that has the time-honored traditions and history is awakened through Africa. And also it asks the people to see Africa in a positive viewpoint, not in the existing negative viewpoint. It is because it was the hidden purpose of this movie to encourage the people to earn dollars necessary for economic development by promoting the exports of commodities and labor forces to this unknown continent. South Korean Government absolutely needed the diplomatic supports from the emerging African countries in UN for the national security in the late 1960s. In order to make this possible, as there was a need to turn the negative image that the people have of Africa to a positive one, the positive image of Africa in the movie was made up in the purpose of gaining the political supports from these countries. Because of this, Africa is reflected in the appearance of having achieved Western modernization in this movie, not in the existence of the countries that have various and complicated problems by colonialism. Because this kind of image was made up in the political and economic interests of Korean Government at that time, if the circumstances that made this are changed, that image will be changed as well.

참고문헌 (28)

  1. 김수환, "러시아 ‘상상하기’: 러시아 문화 정체성에 있어서 ‘타자’ 구성의 문제", 러시아학, (2), pp.73~89 (2006)
  2. 김한상, "조국근대화를 유람하기" (2008), 한국영상자료원
  3. 롤랑 바르트, "신화론" (1995), 현대미학사
  4. 박경석, "근대 중국인의 해외여행과 내셔널리즘, 그리고 타자인식", 동양사학연구, (107), pp.91~119 (2009), 동양사학회
  5. 박상식, "아프리카의 정치체제: 하나의 유형론적 시도", 한국정치학회보, 8, pp.121~131 (1971)
  6. 박상중, "아프리카 소식 (제 2신)", 기독교 사상, 통권 : 62, pp.7~ (1963)
  7. 신태환, "아프리카나이제이션과 이색문화", 북한, 통권 : 50, pp.38~41 (1976)
  8. 에드워드 W. 사이드, "오리엔탈리즘" (2007), 교보문고
  9. 오명석, "1960-70년대의 문화정책과 민족문화담론", 비교문화연구, (4), pp.121~152 (1998)
  10. 오성철, "박정희의 국가주의 교육론과 경제성장", 역사문제연구, (11), pp.53~80 (2003)
  11. 이광우, "신생국민족주의의 딜레마", 한국정치학회보, 81, pp.103~120 (1974)
  12. 이호영, "한국의 대 아프리카 외교: 아프리카의 재평가와 발전방향", 한국정치학회보, 33(3), pp.371~390 (1999)
  13. 조관연, "극영화 <팔도강산>(1967) 속의 조국근대화 담론과 로컬리티 In: 인문콘텐츠", pp.263~283 (2009)
  14. 최루톤, "신세대논단: 북괴의 대아프리카 외교정책 분석", 북한, 통권 : 88, pp.192~207 (1979)
  15. 이명식, "특집II-북한의 대외관계. 대 소련관계, 대 중공관계, 대 동구관계, 대 아프리카 관계, 대 미일관계", 북한, 통권 : 13, pp.247~295 (1973)
  16. 김학준, "第3世界에 대한 蘇聯의 外交政策", 국제정치논총, 22, pp.79~100 (1982)
  17. J. D. 산구, "아프리카사회의 정의", 사목, (47), pp.105~110 (1976)
  18. Candler, D., "Semiotics: The basics" (2002), Routledge.
  19. Fairclough, N., "Discourse and social change" (1992), Polity Press
  20. "『조선일보』 1966", 04, ~
  21. "『조선일보』 1967", 06, ~
  22. "『조선일보』 1968", 03, ~
  23. "『조선일보』 1968", 05, ~
  24. "『조선일보』 1968", 08, ~
  25. "『조선일보』 1969", 04, ~
  26. "『조선일보』 1969", 10, ~
  27. "『조선일보』 1969", 10, ~
  28. "파독 광부ㆍ간호사의 한국 경제발전에 대한 기여의 건"[URL]

관련 논문AI추천

이 간행물의 다른 논문 (8건)