Yeats: Prosody and Poetic Forms
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Yeats is perhaps the best metrist in English after Tennyson, who has a deep respect for the tradition that links the poetics of Spenser’s era to that of Shelley’s and his own. His contribution to modern poetry is great; he has never abandoned the prosodic heritage of English by bringing diction, syntax, rhythm, and tone up to date. Yeats says in “Modern Poetry” (1936) that “[a] poem is an elaboration of the rhythms of common speech and their association with profound feeling.”
Abstract
Yeats is perhaps the best metrist in English after Tennyson, who has a deep respect for the tradition that links the poetics of Spenser’s era to that of Shelley’s and his own. His contribution to modern poetry is great; he has never abandoned the prosodic heritage of English by bringing diction, syntax, rhythm, and tone up to date. Yeats says in “Modern Poetry” (1936) that “[a] poem is an elaboration of the rhythms of common speech and their association with profound feeling.”
참고문헌 (7)
- Perloff, Marjorie, "Rhyme and Meaning in the Poetry of Yeats" (1970), Mouton
- Pound, Ezra, "Selected Prose, 1909-1965" (1973), Faber
- Ramazani, Jahan, "Yeats and the Poetry of Death: Elegy, Self-elegy, and the Sublime" (1990), Yale UP
- Wordsworth, William, "Lyrical Ballads & Other Poems" (2002), Wordsworth Edition Ltd
- Yeats, W. B., "Yeats’s Poems" (1989), Macmillan
- Yeats, W. B., "The Collected Letters of W. B. Yeats, Volume 1 1865-1895" (1986), Oxford UP
- Yeats, W. B, "Essays and Introductions" (1961), Macmillan
