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Yeats: Prosody and Poetic Forms

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Yeats is perhaps the best metrist in English after Tennyson, who has a deep respect for the tradition that links the poetics of Spenser’s era to that of Shelley’s and his own. His contribution to modern poetry is great; he has never abandoned the prosodic heritage of English by bringing diction, syntax, rhythm, and tone up to date. Yeats says in “Modern Poetry” (1936) that “[a] poem is an elaboration of the rhythms of common speech and their association with profound feeling.”

Abstract

Yeats is perhaps the best metrist in English after Tennyson, who has a deep respect for the tradition that links the poetics of Spenser’s era to that of Shelley’s and his own. His contribution to modern poetry is great; he has never abandoned the prosodic heritage of English by bringing diction, syntax, rhythm, and tone up to date. Yeats says in “Modern Poetry” (1936) that “[a] poem is an elaboration of the rhythms of common speech and their association with profound feeling.”

참고문헌 (7)

  1. Perloff, Marjorie, "Rhyme and Meaning in the Poetry of Yeats" (1970), Mouton
  2. Pound, Ezra, "Selected Prose, 1909-1965" (1973), Faber
  3. Ramazani, Jahan, "Yeats and the Poetry of Death: Elegy, Self-elegy, and the Sublime" (1990), Yale UP
  4. Wordsworth, William, "Lyrical Ballads & Other Poems" (2002), Wordsworth Edition Ltd
  5. Yeats, W. B., "Yeats’s Poems" (1989), Macmillan
  6. Yeats, W. B., "The Collected Letters of W. B. Yeats, Volume 1 1865-1895" (1986), Oxford UP
  7. Yeats, W. B, "Essays and Introductions" (1961), Macmillan

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