예이츠의 중기시에 나타난 불완전한 마스크와 삶의 갈등
The Conflict of Unsatisfactory Mask with Life in Yeats’s Middle Poetry
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초록
중기의 예이츠는 삶의 의미를 회복시키기 위해 삶에 초점을 맞춘 시론을 선택하고 있다. 그러나 이런 입장에도 불구하고 그는 초기와 마찬가지로 초월적인 세계를 마스크로 선택함으로써 중기시에는 마스크에 대한 동경과 이것의 결함을 제시하며 삶의 가치를 주장하는 목소리가 공존하고 있다. 삶과 마스크의 갈등은 때로 중기 마스크를 구체적으로 제시하기 위한 예술의 이미지와 삶의 갈등으로 드러난다. 그의 시적 목표를 충족시키지 못하는 불만족스러운 마스크로 인해 예술은 행복한 것이라는 마스크 이론이 함유하고 있는 예이츠의 주장이 훼손되고 있다. 중기의 마스크는 그의 중기 시론과 마스크 이론을 다 같이 훼손하며 삶과 마스크의 갈둥을 첨예하게 만들고 있다.
Abstract
The Middle Yeats explores the full range of human experiences to restore meaning to life. But he again chooses the other world for his Mask, which conflicts with his strong love of life. Consequently his great middle poems are the ostensible embodiment of his transcendent Mask with ironies denigrating its value and asserting the unique value of life. The conflict between Yeats's unsatisfactory Mask and life is sometimes expressed by an opposition of art and life with great effect because this image of art is severely contrary to his life-focused aesthetic of this time. Yeats's view of literature as “imaginative saturnalia” embedded in his theory of Mask is impaired through the embodiment of his unsatisfactory Mask.
참고문헌 (19)
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