Two Voices of Cognitive Creativity in W. B. Yeats’s A Vision
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Yeats’s occult-visionary work of A Vision displays two cognitive mind- flows, top-down or bottom-up movements, or the falling voice of Godly entity and the rising voice of human voice. The two brain hemispheres of his literariness can represent the cognitive intermixtures of his mind, but still do not clearly show the neutral zone of mind. This indeterminate domain can be his genuine occulticism. His literary intentionality portrays the nomological predicates of his elemental minds, but as shown in the four icons of the ghost in “All Souls’ Night,” it is still hard to schematize them cognitively.
Abstract
Yeats’s occult-visionary work of A Vision displays two cognitive mind- flows, top-down or bottom-up movements, or the falling voice of Godly entity and the rising voice of human voice. The two brain hemispheres of his literariness can represent the cognitive intermixtures of his mind, but still do not clearly show the neutral zone of mind. This indeterminate domain can be his genuine occulticism. His literary intentionality portrays the nomological predicates of his elemental minds, but as shown in the four icons of the ghost in “All Souls’ Night,” it is still hard to schematize them cognitively.
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