Byron’s Hebrew Melodies: A Quest for the Seed of Divine Thoughts on the Immortality of the Human Soul and God
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This article investigates how Byron’s earliest divine pieces in Hebrew Melodies unfurl the ignition of his sacred thoughts, particularly on the immortality of the human soul and the providence of God. The religious works of this anthology, published in the early 1810s, extend the range of the speakers’ experiences of the permanent nature in Hours of Idleness to another realm of the perpetuity of the human soul and the Almighty. In five poems of Hebrew Melodies, Byron prefigures his query and credence in the imperishable soul, which his later literary works and journals reassure before his physical demise. The vindication of Byron’s initial divine thinking derails the established contemporary and current predilection of regarding him as an iconoclast, whose Early Tales of 1813-4, Cain, and Heaven and Earth of 1822-3 have consumed their preconceived estimation of his religious disposition. The paper suggests that numerous textual evidences relocate Hebrew Melodies to foreshadow the evident manifestation of their opposing perspectives.
Abstract
This article investigates how Byron’s earliest divine pieces in Hebrew Melodies unfurl the ignition of his sacred thoughts, particularly on the immortality of the human soul and the providence of God. The religious works of this anthology, published in the early 1810s, extend the range of the speakers’ experiences of the permanent nature in Hours of Idleness to another realm of the perpetuity of the human soul and the Almighty. In five poems of Hebrew Melodies, Byron prefigures his query and credence in the imperishable soul, which his later literary works and journals reassure before his physical demise. The vindication of Byron’s initial divine thinking derails the established contemporary and current predilection of regarding him as an iconoclast, whose Early Tales of 1813-4, Cain, and Heaven and Earth of 1822-3 have consumed their preconceived estimation of his religious disposition. The paper suggests that numerous textual evidences relocate Hebrew Melodies to foreshadow the evident manifestation of their opposing perspectives.
참고문헌 (15)
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