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Anima Mundi in "Anima Mundi"

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The concept of Anima Mundi (or World Soul) pervading all of nature is so old that its origins are very obscure. Yeats has kept developing his own philosophy (or system) regarding this Anima Mundi for his art and belief all his life. In this article, I try to treat Yeats's theoretical statements on the Anima Mundi which can be easily found in his essay "Anima Mundi" in Per Amica Silentia Lunae (1918), one of the greatest watershed document in his theory of the Anima Mundi, the poet's ultimate expression of his belief. Like many of ancient western and eastern mysterious religions, Yeats no longer distinguishes between the great memory of Anima Mundi and the minds and memories of its occupants. Also he reaffirms the four elements as integral to the World Soul concept. He assigns elemental attributes to the images glimpsed in visions, creating a fourfold model of perception. This short but important essay constitutes the outstanding feature of Yeats's newly evolved concept, the Anima Mundi is not merely a place, a shadowy subliminal Hades. It is a congeries of souls, of discarnate intelligences whose multifarious activities range from regulating nature's cycles to potential anamnesis.

Abstract

The concept of Anima Mundi (or World Soul) pervading all of nature is so old that its origins are very obscure. Yeats has kept developing his own philosophy (or system) regarding this Anima Mundi for his art and belief all his life. In this article, I try to treat Yeats's theoretical statements on the Anima Mundi which can be easily found in his essay "Anima Mundi" in Per Amica Silentia Lunae (1918), one of the greatest watershed document in his theory of the Anima Mundi, the poet's ultimate expression of his belief. Like many of ancient western and eastern mysterious religions, Yeats no longer distinguishes between the great memory of Anima Mundi and the minds and memories of its occupants. Also he reaffirms the four elements as integral to the World Soul concept. He assigns elemental attributes to the images glimpsed in visions, creating a fourfold model of perception. This short but important essay constitutes the outstanding feature of Yeats's newly evolved concept, the Anima Mundi is not merely a place, a shadowy subliminal Hades. It is a congeries of souls, of discarnate intelligences whose multifarious activities range from regulating nature's cycles to potential anamnesis.

참고문헌 (20)

  1. 김주성, "Anima Mundi and Young Yeats's Friends", 한국예이츠저널, 25, pp.61~88 (2006)
  2. 서혜숙, "이츠와 노자: 『비전』과 『도덕경』에 나타난 ‘존재의 통합’과 ‘도’", 한국예이츠저널, 16, pp.67~91 (2001)
  3. Burnet, John, "Early Greek Philosophy. 4th ed" (1930), Adams & Charles Black
  4. Fortune, Dion, "The Mystical Qabalah", ~ (2008)
  5. Friedman, Barton R., "Idealized Authors, Empathic Audiences: Esoteric Yeatsism and Literary Theory", Yeats: An Annual of Critical and Textual Studies, 11, pp.91~118 (1993)
  6. Harper, George Mills, "Yeats and the Occult" (1975), Macmillan of Canada
  7. Harper, George Mills, "Yeats's Golden Dawn" (1974), Macmillan
  8. Julianus, Flavius Anicius, "The Chaldean Oracles", ~ (1988)
  9. Kalogera, Lucy, "Yeats's Celtic Mysteries" (1977), Florida State
  10. Kinahan, Frank, "Yeats, Folklore, and Occultism" (1988), Unwin Hyman
  11. Knight, Gareth, "A Practical Guide to Qabalistic Symbolism" (2002), Weiser Books,
  12. Levine, Herbert J., "Yeats's Daimonic Renewal" (1983), UMI
  13. Olney, James, "he Rhizome and the Flower: The Perennial Philosophy- Yeats and Jung" (1980), U of California P
  14. Scott, Walter, "Hermetica: The Ancient Greek and Latin Writings which Contain Religious or Philosophic Teachings Ascribed to Hermes Trismegistus", ~ (2001)
  15. Yeats, William Butler, "Essays and Introductions" (1961), Macmillan
  16. Yeats, William Butler, "The Collected Plays of W. B. Yeats" (1952), Macmillan
  17. Yeats, William Butler, "Letters" (1955), Macmillan
  18. Yeats, William Butler, "Memoirs" (1973), Macmillan
  19. Yeats, William Butler, "Mythologies" (1959), Macmillan
  20. Yeats, William Butler, "Prose by W. B. Yeats, Vol. 2" (1976), Columbia UP

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