「안빙몽유록」(安憑夢遊錄)에 나타난 도가적 사유와 의미지향

Abstract

This study pointed out that there is still little research of Taoist propensity of “Anbingmongyurok” in attempting the interpretation of works only in the political and Confucian perspective. This study examines the 16th century when Shin Kwang-han lived, and discussed the mysterious imagination, his thoughts in Taoist characteristic poetry. Anbing invited to the Whawonguk, does not participate at all in the debate but keeps the distance from the characters. It is a world of real struggle and judgment that he saw. Anbing’s attitude shows a Taoist attitude that puts distance through minimal language use in this absurd world. The part of Gak-mong clearly reveals the enlightenment of Anbing. The power, symbolized by the peony, is a critique of the world, showing the author’s view that one day death will be over. The last scene to say, “He did not peek down the tent and peek into the garden”(Sin, Kwang-han and Heon-soon Park 34) is the silence and demeanor of treating the world by clearing himself. He tried to overcome the loss of the identity due to the contradictions of the world through the reward mechanism called Anbing using Taoist thinking and an orientation.