“The Quarrel with Others”: W. B. Yeats and James Joyce
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This essay argues that Yeats and Joyce create their works and artistic principles from their disagreements with each other. Their differences are strategically recast and replayed by both writers to create a sense of literary identity and invent a tradition which was neither deadening nor politically restraining. But despite their efforts to highlight the differences in their aesthetics and views of the artist, they recurrently reference each and incorporate the vision they supposedly reject.
Abstract
This essay argues that Yeats and Joyce create their works and artistic principles from their disagreements with each other. Their differences are strategically recast and replayed by both writers to create a sense of literary identity and invent a tradition which was neither deadening nor politically restraining. But despite their efforts to highlight the differences in their aesthetics and views of the artist, they recurrently reference each and incorporate the vision they supposedly reject.
참고문헌 (6)
- Brown, Terence, "Yeats, Joyce and the Irish Critical Debate, In Ireland’s Literature: Selected Essays", pp.77~90 (1988), Press
- Ellmann, Richard, "The Hawklike Man, In Eminent Domain: Yeats Among Wilde, Joyce, Pound and Auden", pp.29~56 (1967), Oxford UP
- Foster, R. F., "The Gift of Adaptability: Yeats, Joyce and Modern Ireland, In That Island Never Found: Essays and Poems for Terence Brown", pp.53~69 (2007), Four Courts
- Rabaté, Jean-Michel, "The Ghosts of Modernity" (1996), UP of Florida
- Yeats, W.B., "The Countess Cathleen: Manuscript Materials" (1999), Cornell UP
- Yeats, W.B., "The Poems" (1990), Everyman