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W.B. Yeats and T.S. Eliot: A Mutually Ambivalent Relationship

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Both Yeats and Eliot adopted a careful tone in writing about the other’s poetry: fundamentally unsympathetic, but willing to concede grudgingly to the power of the other. While Yeats was more unguardedly critical and negative in his reaction to Eliot’s poetry and what he took it to symptomatize about contemporary culture, the younger man was defensively cagey about his view of Yeats, and wrote two formal essays on him, which were not without deference to the older poet’s writing, though fully aware of all the many ways in which it represented the antithesis to what he aspired to in his own work.

Abstract

Both Yeats and Eliot adopted a careful tone in writing about the other’s poetry: fundamentally unsympathetic, but willing to concede grudgingly to the power of the other. While Yeats was more unguardedly critical and negative in his reaction to Eliot’s poetry and what he took it to symptomatize about contemporary culture, the younger man was defensively cagey about his view of Yeats, and wrote two formal essays on him, which were not without deference to the older poet’s writing, though fully aware of all the many ways in which it represented the antithesis to what he aspired to in his own work.

참고문헌 (20)

  1. Arnold, Matthew, "Essays in Criticism: Second Series, The Works of Matthew Arnold, Volume IV", pp.1~31 (1903), Macmillan
  2. Eliot, T.S., "Selected Essays of T. S. Eliot", pp.252~ (1960), Harcourt, Brace & World, Inc
  3. Eliot, T.S, "Collected Poems 1909-1962", pp.203~205 (1963), Harcourt, Brace & World, Inc
  4. Eliot, T.S, "The Athenaeum 4653", pp.552~ (1919)
  5. Eliot, T.S, "Selected Essays of T. S. Eliot", pp.264~ (1960), Harcourt, Brace & World, Inc
  6. Eliot, T.S., "The Letters of T. S. Eliot, Volume 1, 1898-1922" (1988), Faber and Faber
  7. Eliot, T.S., "The Letters of T. S. Eliot, Volume 2:1923-1925" (2009), Yale UP
  8. Eliot, T.S, "The Use of Poetry and the Use of Criticism", pp.113~114 (1933), Faber
  9. Eliot, T.S., "To Criticize the Critic and Other Writings", pp.58~ (1961), Farrar, Straus and Giroux
  10. Eliot, T.S, "The Use of Poetry and the Use of Criticism" (1936), Faber
  11. Eliot, T.S, "The Waste Land”: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound" (1971), Faber
  12. Eliot, T.S., "Selected Prose of T. S. Eliot", pp.248~257 (1975), Harcourt Brace Jovanovich and Farrar, Strauss and Giroux
  13. Morgan, Louise, "Interviews and Recollections Volume 2", pp.200~ (1977), Macmillan
  14. Richard, I. A. Richards, "Poetries and Sciences" (1970), Routledge
  15. Schuhard, Ronald, "Eliot’s Dark Angel: Intersections of Life and Art" (1999), OUP
  16. Smidt, Kristian, "Redeeming Time: T. S. Eliot’s Four Quartets", pp.261~ (2007), Cowley Publications
  17. Symons, Arthur, "The Symbolist Movement in Literature" (1911), Constable & Co
  18. Unger, Leonard, "Eliot’s Compound Ghost: Influence and Confluence" (1981), Pennsylvania State UP
  19. Vasari, Giorgio, , pp.501~ (1991), Oxford UP
  20. Yeats, W. B, "The Collected Works of W. B. Yeats, Volume V", pp.181~ (1994), Charles Scribner’s Sons

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