「목불」(木佛)에 나타난 유희적 ‘말놀이’와 반야사상
The ‘Word Play’ and the Heart Sutra in A Wooden Buddist Image
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
A Wooden Buddhist Image is about the process of realizing the mercy of Buddha by finding a wooden Buddhist image. It has the main accident which happens after a monk named Tangong who practices asceticism, meets an old Buddha sculpture called Dalnoin. Tangong's purpose of life is to find a wooden buddhist image and the meaning of his purpose is revealed indirectly through Dalnoin's life. In this paper, three things can be summarized briefly as follows. First, A Wooden Buddhist Image has a circular structure of tense repetition and its content has cause and effect. It also has a journey structure towards enlightenment which a main character attains throughout his wondering and suffering without the clear reversal and conflict. Second, the word play of concealing and revealing can be found in a main character's name, place name, Buddhist sermon and a note written in blood. Third, both the truth that matter is void and the emptiness idea which are based on Buddha's reflection on wheel of life, are showed by means of enlightenment through Dalnoin's nirvana and Tangong's endless obsession and anguish. In other words, Tango must escape from the obsession about a hopeless reality of his existence. Then, he must find and make his own Buddhist image in his mind for himself. But, A Wooden Buddhist Image doesn't explain the reasons why Tangong becomes a monk and why he is so obsessive about a wooden Buddhist image. Also, he seems to lack truth-seeker's intenseness because he can attain easily the enlightenment not by his own efforts but by Dalnoin's.
Abstract
A Wooden Buddhist Image is about the process of realizing the mercy of Buddha by finding a wooden Buddhist image. It has the main accident which happens after a monk named Tangong who practices asceticism, meets an old Buddha sculpture called Dalnoin. Tangong's purpose of life is to find a wooden buddhist image and the meaning of his purpose is revealed indirectly through Dalnoin's life. In this paper, three things can be summarized briefly as follows. First, A Wooden Buddhist Image has a circular structure of tense repetition and its content has cause and effect. It also has a journey structure towards enlightenment which a main character attains throughout his wondering and suffering without the clear reversal and conflict. Second, the word play of concealing and revealing can be found in a main character's name, place name, Buddhist sermon and a note written in blood. Third, both the truth that matter is void and the emptiness idea which are based on Buddha's reflection on wheel of life, are showed by means of enlightenment through Dalnoin's nirvana and Tangong's endless obsession and anguish. In other words, Tango must escape from the obsession about a hopeless reality of his existence. Then, he must find and make his own Buddhist image in his mind for himself. But, A Wooden Buddhist Image doesn't explain the reasons why Tangong becomes a monk and why he is so obsessive about a wooden Buddhist image. Also, he seems to lack truth-seeker's intenseness because he can attain easily the enlightenment not by his own efforts but by Dalnoin's.
참고문헌 (12)
- 김영동, "불교문학연구입문" (1991), 동화출판공사
- 김태준, "불교문학이란 무엇인가" (1991), 동화출판공사
- 동국대 불교교재편찬위원회, "불교사상의 이해" (2007), 불교시대사
- 불교문학평론선, "박상률", 민족사, ~ (1990)
- 법성, "민중불교의 탐구" (1989), 민족사
- 쓰까모또 게이쇼, "불교의 역사와 기본사상" (1989), 대원정사
- 서경보, "불교와 선" (1983), 호암문화사
- 오형근, "불교의 영혼과 윤회관" (1995), 새터
- 임영환, "한국현대소설연구" (1995)
- 정승석, "불교의 이해" (1989), 대원정사
- 정찬주, "현대불교소설선 1,2" (1990), 민족사
- 한종만, "한국근대 민중불교의 이념과 전개" (1980), 한길사
