Irony as an Art: Yeats’s Last Poems“Long-Legged Fly” and “In Tara’s Halls”
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Irony is now considered one of the crucial tests for the modernity of poetry, frequently exhibited by major modern poets. Not necessarily modern, irony dates back and deeply indebted to the techniques of Elizabethan poet-dramatists and the metaphysical poets who skillfully displayed an ironic tension between emotional theme and rational form with a typical dramatic effect. Yet, irony as an art in the modernist poets is peculiar in its indeterminacy from a unique, de-centering play of opposites in tones and sensibilities, which eventually liberates modern poems from any doctrines, as such liberation was well-exemplified in the last poems of Yeats.
Abstract
Irony is now considered one of the crucial tests for the modernity of poetry, frequently exhibited by major modern poets. Not necessarily modern, irony dates back and deeply indebted to the techniques of Elizabethan poet-dramatists and the metaphysical poets who skillfully displayed an ironic tension between emotional theme and rational form with a typical dramatic effect. Yet, irony as an art in the modernist poets is peculiar in its indeterminacy from a unique, de-centering play of opposites in tones and sensibilities, which eventually liberates modern poems from any doctrines, as such liberation was well-exemplified in the last poems of Yeats.
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