마이클 롱리의 기억 시학: 제1차세계대전과 북아일랜드 분쟁
Michael Longley’s Poetics of Memory: WWI and the Troubles
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본 연구는 가톨릭 민족주의와 프로테스탄트 합병주의라는 이분법적 환원주의를 강화시키는 아일랜드의 기념 정치를 탐구하기 위해 마이클 롱리가 사용한 기억 시학을 분석한다. 첫째, 롱리의 기억 시학은 양귀비꽃 이미지를 사용하여 제1차세계대전과 북아일랜드 분쟁을 상징적으로 연결시키며, 기념 정치의 이분법을 극복한다. 둘째, 롱리는 포스트-1916세대의 노스탤지아를 통해 역사적 희생자들 간 연대의 비전을 제시한다. 그는 과거에 실현되지 않은 가능성들을 탐구하는데 있어 세계대전과 북아일랜드 분쟁의 희생자들을 병치시켜 당대 지배적인 기념 정치를 탈신화한다.
Abstract
This paper analyzes how Michael Longley employs a poetics of memory to navigate the politics of Irish commemoration, which often reinforces a reductive historical dichotomy between Catholic nationalists and Protestant unionists. First, his poetics of memory transcends the conventional politics of commemoration. By utilizing the imagery of poppies that symbolically links World War I and the Troubles, Longley offers alternatives to a binary perspective on commemoration. Second, his poetics of memory reflects the post-1916 generation’s sense of nostalgia, enabling the poet to envision a solidarity among historical victims. Longley explores unrealized possibilities from the past, juxtaposing the victims of World War I with those of the Troubles to challenge and demystify the prevailing politics of commemoration.
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