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Yeats on Dualism and Poetic Form: The Three Case Studies

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This article aims to close read “Crazy Jane Talks with the Bishop,” “An Irish Airman Foresees His Death,” and “The Man and the Echo,” demonstrating how Yeats deals with the various forms of dualism, one between the soul and the body, life and death, and the spiritual and the bodily existence as the culmination of the previous two. It argues that these poems, as the literary expression of Yeats’s dialectical mind, show the three specific patterns of his negotiation with the two antinomical entities: 1) radical monism, 2) stoic equilibrium, and 3) the skeptical reaffirmation of unity. To this end, the article will pay attention to Yeats’s formal manipulation of various poetic elements, such as line, syntax, rhythm, rhyme, and diction. This thorough formal analysis will illuminate the process that the internal dynamic of these elements embodies the poet’s solutions described above.

Abstract

This article aims to close read “Crazy Jane Talks with the Bishop,” “An Irish Airman Foresees His Death,” and “The Man and the Echo,” demonstrating how Yeats deals with the various forms of dualism, one between the soul and the body, life and death, and the spiritual and the bodily existence as the culmination of the previous two. It argues that these poems, as the literary expression of Yeats’s dialectical mind, show the three specific patterns of his negotiation with the two antinomical entities: 1) radical monism, 2) stoic equilibrium, and 3) the skeptical reaffirmation of unity. To this end, the article will pay attention to Yeats’s formal manipulation of various poetic elements, such as line, syntax, rhythm, rhyme, and diction. This thorough formal analysis will illuminate the process that the internal dynamic of these elements embodies the poet’s solutions described above.

참고문헌 (16)

  1. Arkins, Brian, "The Thought of W.B." (2010), Peter Lang
  2. Bell, Vereen M., "Yeats and the Logic of Formalism" (2006), U of Missouri P
  3. Bloom, Harold, "Yeats" (1972), Oxford UP
  4. Bohlmann, Otto, "Yeats and Nietzsche" (1982), Macmillan
  5. Bromwich, David, "Skeptical Music : Essays on Modern Poetry" (2001), U of Chicago P
  6. Heaney, Seamus, "On W.B. Yeats’s ‘The Man and the Echo’", Harvard Review, 4, pp.96~99 (1993)
  7. Henn, Thomas Rice, "The Lonley Tower: Studies in the Poetry of W.B. Yeats" (2012), Routledge
  8. 허현숙, "예이츠 시에서의 갈등의 양상과 그 통합의 상징", 한국 예이츠 저널, 18, pp.161~183 (2002), 한국예이츠학회
  9. 조정명, "예이츠 시에 재현된 ‘비극적 황홀’과 ‘숭고’", 한국 예이츠 저널, 64, pp.179~195 (2021), 한국예이츠학회
  10. Vendler, Helen, "Our Secret Discipline : Yeats and Lyric Form" (2007), Belknap P of Harvard UP
  11. Voigt, Ellen Bryant, "The Art of Syntax: Rhythm of Thought, Rhythm of Song" (2009), Graywolf P
  12. Yeats, William Butler, "The Collected Poems of W.B. Yeats" (1996), Scribner Paperback Poetry
  13. Yeats, William Butler, "Autobiographies" (1955), Macmillan
  14. Yeats, William Butler, "Essays and Introductions" (1961), Macmillan
  15. Yeats, William Butler, "Explorations" (1962), Macmillan
  16. 윤일환, "예이츠의 『자서전』과 자아 다시쓰기", 한국 예이츠 저널, 68, pp.121~139 (2022), 한국예이츠학회

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