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자연주의를 넘어서: 토니 모리슨의 『가장 푸른 눈』을 중심으로

Beyond Naturalism in Toni Morrison’s The Bluest Eye

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Toni Morrison describes two girls in her autobiographical novel, The Bluest Eye. Pecola is the typical heroine of naturalist novels. In naturalist novels, protagonists are demolished under the influence of the environment and heredity without will. Pecola is born from irresponsible parents who engage in self-hatred. Cholly, Pecola’s father, uses violence and does not take care of his family. Pauline, Pecola’s mother, neglects her duties as a housewife under the guise of a sincere Christian and a faithful maid for a rich white family. Pecola’s neighbors just follow the white people’s standards. They insult Pecola and regard her as a poor ugly black girl. Pecola desires to have blue eyes, the symbol of being white, in order to get out of her miserable situation. After her father rapes her, Pecola achieves her dream to have blue eyes in her insane mental state. Claudia is also a poor black girl. But unlike the Pecola’s family, there is love and an emotional bond within Claudia’s family. In looking after Claudia—who is ill—her mother inculcates the value of the home. She remains as somebody who does not want Claudia to die. Claudia’s father takes responsibility for his family and defends his daughters from a sexual predator. Claudia grows up developing courage and right judgement. She raises objections when African American adults follow the white people’s standards without questions. She criticizes her neighbors for not giving practical help to Pecola. Through Claudia, Morrison is able to prove that one who is raised with love and care cultivates the capability to overcome hardships and purify the polluted mind.

Abstract

Toni Morrison describes two girls in her autobiographical novel, The Bluest Eye. Pecola is the typical heroine of naturalist novels. In naturalist novels, protagonists are demolished under the influence of the environment and heredity without will. Pecola is born from irresponsible parents who engage in self-hatred. Cholly, Pecola’s father, uses violence and does not take care of his family. Pauline, Pecola’s mother, neglects her duties as a housewife under the guise of a sincere Christian and a faithful maid for a rich white family. Pecola’s neighbors just follow the white people’s standards. They insult Pecola and regard her as a poor ugly black girl. Pecola desires to have blue eyes, the symbol of being white, in order to get out of her miserable situation. After her father rapes her, Pecola achieves her dream to have blue eyes in her insane mental state. Claudia is also a poor black girl. But unlike the Pecola’s family, there is love and an emotional bond within Claudia’s family. In looking after Claudia—who is ill—her mother inculcates the value of the home. She remains as somebody who does not want Claudia to die. Claudia’s father takes responsibility for his family and defends his daughters from a sexual predator. Claudia grows up developing courage and right judgement. She raises objections when African American adults follow the white people’s standards without questions. She criticizes her neighbors for not giving practical help to Pecola. Through Claudia, Morrison is able to prove that one who is raised with love and care cultivates the capability to overcome hardships and purify the polluted mind.

참고문헌 (20)

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  2. 스크라인, 피터, "자연주의" (1986), 서울대학교출판부
  3. Bakerman, Jane, "The Seams Can’t Show: An Interview with Toni Morrison, In Conversation with Toni Morrison", pp.30~42 (1994), UP of Mississippi
  4. Bouson, J. Brooks, "Quiet As It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison" (2000), State U of New York P
  5. Brown, Cecil, "Interview with Toni Morrison, In Toni Morrison Conversation", pp.107~125 (2008), UP of Mississippi
  6. Charles, Pepsi, "An Interview with Toni Morrison, In Toni Morrison Conversation", pp.17~23 (2008), UP of Mississippi
  7. Demastes, William W., "Beyond Naturalism" (1988), Greenwood P
  8. Dreifus, Claudia, "Chloe Wofford Talks about Toni Morrison, In Toni Morrison Conversation", pp.98~106 (2008), UP of Mississippi
  9. Eichelberger, Julia, "Phophets of Recognition: Ideology and the Individual in Novels by Ralph Ellison, Toni Morrison, Saul Bellow, and Eudora Welty" (1999), Louisiana State UP
  10. Gilman, Sander, "Inscribing the Other" (1991), U of Nebraska P
  11. Harris, Trudier, "Fiction and Folklore: The Novels of Toni Morrison" (1991), The U of Tennessee P
  12. Heinert, Jennifer Lee Jordan, "Narrative Conventions and Race in the Novels of Toni Morrison" (2009), Routledge
  13. Jones, Bessie W., "An Interview with Toni Morrison, In Conversation with Toni Morrison", pp.171~187 (1994), UP of Mississippi
  14. McKay, Nellie, "An Interview with Toni Morrison, In Conversation with Toni Morrison", pp.138~155 (1994), UP of Mississippi
  15. Morrison, Toni, "The Bluest Eye" (1970), Plume
  16. Page, Philip, "Dangerous Freedom" (1995), UP of Mississippi
  17. Plasa, Carl, "Textual Politics from Slavery to Postcolonialism: Race and Identification" (2000), Macmillan Press
  18. Rice, Herbert William, "Toni Morrison and the American Tradition: A Rhetorical Reading" (1996), Peter Lang
  19. Stepto, Robert, "Intimate Things in Place: A Conversation with Toni Morrison, In Conversation with Toni Morrison", pp.10~29 (1994), UP of Mississippi
  20. Suggs, Donald, "Interview with Toni Morrison, In Toni Morrison Conversation", pp.32~37 (2008), UP of Mississippi

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