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샬롯 퍼킨스 길먼의 자기배려적 글쓰기와 파레시아

Charlotte Perkins Gilman’s Writing as the Care of the Self and Parrhêsia

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This paper aims to examine how Charlotte Perkins Gilman’s writing was a part of the Care of the Self and how she practiced Parrhêsia through her writings. Michel Foucault’s definition of the Care of the Self is to constantly take care of yourself and reflect on yourself to identify who you are and grow into the right entity. He said that writing is one of the most important practices for the Care of the Self. Gilman’s writing exemplifies the Care of the Self, which has helped her to grow and become aware of who she is as a result of continuous introspection and self-discipline practice. Gilman’s writing was not only used for her growth, but also for her Parrhêsia. She claims to promote human rights for women of the time who were oppressed and in unequal positions. Etymologically, Parrhêsia is an act of telling the truth without fear despite being criticized by the public. Gilman’s Parrhêsia is that women should stand up as independent entities through practice of the Care of the Self and that women’s domestic work should be given fair value for their economic independence. In her novel What Diantha Did, she assigns economic value to housework, which was considered only a natural duty for women at the time, and says that in order to improve women’s rights, women need to be awaken to know themselves and able to find their own abilities.

Abstract

This paper aims to examine how Charlotte Perkins Gilman’s writing was a part of the Care of the Self and how she practiced Parrhêsia through her writings. Michel Foucault’s definition of the Care of the Self is to constantly take care of yourself and reflect on yourself to identify who you are and grow into the right entity. He said that writing is one of the most important practices for the Care of the Self. Gilman’s writing exemplifies the Care of the Self, which has helped her to grow and become aware of who she is as a result of continuous introspection and self-discipline practice. Gilman’s writing was not only used for her growth, but also for her Parrhêsia. She claims to promote human rights for women of the time who were oppressed and in unequal positions. Etymologically, Parrhêsia is an act of telling the truth without fear despite being criticized by the public. Gilman’s Parrhêsia is that women should stand up as independent entities through practice of the Care of the Self and that women’s domestic work should be given fair value for their economic independence. In her novel What Diantha Did, she assigns economic value to housework, which was considered only a natural duty for women at the time, and says that in order to improve women’s rights, women need to be awaken to know themselves and able to find their own abilities.

참고문헌 (24)

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  10. Foucault, Michel, "Discourse & Truth and Parrêsia" (2019), U of Chicago P
  11. Foucault, Michel, "The Hermeneutics of the subjectivity" (2005), Picador
  12. Foucault, Michel, "The History of Sexuality Vol 2" (1985), Random House
  13. Gilman, Charlotte Perkins, "The Abridged Diaries of Charlotte Perkins Gilman" (1998), U of Virginia P
  14. Gilman, Charlotte Perkins, "The Diaries of Charlotte Perkins Gilman Vol 1" (1994), U of Virginia P
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  17. Gilman, Charlotte Perkins, "Why I Wrote ‘The Yellow Wallpaper’", Advances in Psychiatric Treatment, 17(4), pp.265~ (2011)
  18. Gilman, Charlotte Perkins, "Woman and Economics: A Study of the Economic Relation Between Men and Women as a Factor on Social Evolution" (1996), Harper
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  24. Quawas, Rula, "A New Woman’s Journey Into Insanity: Descent and Return in The Yellow Wallpaper", Journal of the Australasian Universities Modern Language Association, 105, pp.35~53 (2006)

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