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≪水滸葉子≫의 인물 敍事 試探

The Personalities of the Story of Water Margin

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주제분류중국어와문학

초록

Depending on the different volumes of Water Margin (i.e. 100, 70, or 120-volume publications), the characters in the work are described differently as heroes or villains by the storyteller, except for Song Jiang. Unlike other characters, Song Kang’’s personality is clearly set with the word, righteousness, in the Personalities of the Story of Water Margin. This is because of the ‘Personalities’ of the game in the Personalities of the Story of Water Margin. Through Ju Tong, Hua Rong, and Li Kui, the description of the game in the work reflects the value and ethics of the times. Also, Shi Jin, Li jun, and Guan Sheng reveal the originality of Chen Hongshou in the text of Water Margin, and Gao Dasao, Wan Xiaoqi, and Lei heng have readers understand making a relationship and communication. And via the performance of the game, the characters around Song Jiang in the work imprint different individualities from the storyteller’s viewpoint in readers’ minds. Interestingly, the figures of the ten characters in the Personalities of the Story of Water Margin look at different places. Not only the lines of sight, but also the ways they are facing at are not fixed or clear. The captions of the character drawings also have various perspectives, meaning that it is not a coincidence that the relationships, for example between one character and the society, the character and another character, the character and the drawer, and the character and readers, are linked to each other. The numerous viewpoints of the Personalities of the Story of Water Margin, which are not fixed on just one person, can be regarded as an effort to make the readers figure out a situation from various angles and positions. Through the captions of the character drawings in the work, Chen Hongshou is linked with the characters and the game performers, and shows his way of understanding towards Water Margin’s characters.

Abstract

Depending on the different volumes of Water Margin (i.e. 100, 70, or 120-volume publications), the characters in the work are described differently as heroes or villains by the storyteller, except for Song Jiang. Unlike other characters, Song Kang’’s personality is clearly set with the word, righteousness, in the Personalities of the Story of Water Margin. This is because of the ‘Personalities’ of the game in the Personalities of the Story of Water Margin. Through Ju Tong, Hua Rong, and Li Kui, the description of the game in the work reflects the value and ethics of the times. Also, Shi Jin, Li jun, and Guan Sheng reveal the originality of Chen Hongshou in the text of Water Margin, and Gao Dasao, Wan Xiaoqi, and Lei heng have readers understand making a relationship and communication. And via the performance of the game, the characters around Song Jiang in the work imprint different individualities from the storyteller’s viewpoint in readers’ minds. Interestingly, the figures of the ten characters in the Personalities of the Story of Water Margin look at different places. Not only the lines of sight, but also the ways they are facing at are not fixed or clear. The captions of the character drawings also have various perspectives, meaning that it is not a coincidence that the relationships, for example between one character and the society, the character and another character, the character and the drawer, and the character and readers, are linked to each other. The numerous viewpoints of the Personalities of the Story of Water Margin, which are not fixed on just one person, can be regarded as an effort to make the readers figure out a situation from various angles and positions. Through the captions of the character drawings in the work, Chen Hongshou is linked with the characters and the game performers, and shows his way of understanding towards Water Margin’s characters.

참고문헌 (12)

  1. 김수연, "중국 고소설 작가고증학 원론" (2014), 소명출판
  2. 시내암, "수호전 1-4" (1996), 한국문화사
  3. 시내암, "수호전 1-6권" (2012), 글항아리
  4. 시내암, "수호지1-4" (2014), 사단법인 올재
  5. 이준갑, "룽산으로의 귀환 -장다이가 들려주는 명말청초 이야기" (2010), 이산출판사
  6. 陳洪綬繪, "陳章侯水滸葉子" (2001), 北京圖書館出版社
  7. 盧輔聖, "陳洪綬硏究" (2008), 上海書畫出版社
  8. 劉榕峻, "陳洪綬≪水滸葉子≫研究", pp.2009
  9. 徐小蠻, "中國古代揷圖史" (2007), 上海古籍出版社
  10. 乔光辉, "陈洪绶≪水浒叶子≫与文本增殖", 南京艺术学院学报:美术与设计版, (5), pp.1~5 (2012)
  11. 吳萍, "<水滸傳>圖像傳播硏究", 석사, pp.2006
  12. "匯評忠義水滸傳"[URL]

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