탈현실적 언술과 현실적 언술의 대화성

Abstract

This paper made research on the aesthetics of polyphonic narrative discourse in Wild Grass that criticize the present situations combining the outer-narrative situation and the inner-narrative situation of the text. Wild Grass is the writer Lu Xun's writing of selfconscious reflection on the ordinary, who anguished between compromise and participation at the first revolutionary civil war period(1924～1927). A prose poem Wild Grass embodies the poststructural views and voice through polyphonic form and arrangements. In this paper, we could confirm the foundation of polyphony seen in Lu Xun's Wild Grass is the heterogeneous poetic diction and mutualtextualism of poetic text. In addition to mutualtextualism, the polyphony of Wild Grass was attained through microdialogue of monologue and paradoxical expression using heterogeneous word or adjective which evaluate the value.The polyphony hidden in the locutionary aspect of Wild Grass, devided into dream motif and reality motif, is expressed by heterogeneous word. In other words, it was indicated by the polyphony of real statement and surreal statement, and it was realized by Lu Xun's typical polyphonic prose poem composition which did not considered the integrity. The writer's voice of this text dispatch the reality critique statement, it ultimately links together with outer-textual, contemporary history and society situation, and forms dialogue relationship, thus, it pursues the polyphonic dialogue with inner-narrative semantics network again.