본문 바로가기
KERD
논문KCI 등재

≪삼국연의≫의 용 이미지와 ≪주역≫ 乾卦의 형상화

The Image of Dragon in The romance of the three kingdoms and the Symbolising of Zhouyi

0

조회

0

다운로드

2

인용

0

참고문헌

키워드

주제분류중국어와문학

초록

The Romance of the Three Kingdoms(≪三國演義≫) describes struggle heros and construction of the country in the Three Kingdoms period. The novel used ‘dragon’ images very effectively which has developed rich in the ancient China, and was to help complete an effective and integrated narrative. This paper is particularly ‘dragon’ image of what is said in the three aspects that contributed to the story. First, one of the most successful image depicting a dragon is ‘Discuss Heroes Warming up the Wine’, which passage expressed Cao Cao and Liu Bei character through the dragon images. Second, the ‘dragon’ auspicious(符瑞) concentrated to Wei and Wu in the historical books, but the novel is hardly employ these departments, literary shaped as a dragon image was given to the Shu. Third, growth and decline of Shu and Liu Bei was shaped dragon images from the Qian Gua(≪乾卦≫) in the Zhouyi(≪周易≫). Besides, Literary power robust and strong aesthetics to inspire people in the novel is also related to the shape of these forces associated with the Zhouyi Qian Gua. These factors are considerably significant in that it is a work that complements the traditional reading of the novel and see the novel as a new angle.

Abstract

The Romance of the Three Kingdoms(≪三國演義≫) describes struggle heros and construction of the country in the Three Kingdoms period. The novel used ‘dragon’ images very effectively which has developed rich in the ancient China, and was to help complete an effective and integrated narrative. This paper is particularly ‘dragon’ image of what is said in the three aspects that contributed to the story. First, one of the most successful image depicting a dragon is ‘Discuss Heroes Warming up the Wine’, which passage expressed Cao Cao and Liu Bei character through the dragon images. Second, the ‘dragon’ auspicious(符瑞) concentrated to Wei and Wu in the historical books, but the novel is hardly employ these departments, literary shaped as a dragon image was given to the Shu. Third, growth and decline of Shu and Liu Bei was shaped dragon images from the Qian Gua(≪乾卦≫) in the Zhouyi(≪周易≫). Besides, Literary power robust and strong aesthetics to inspire people in the novel is also related to the shape of these forces associated with the Zhouyi Qian Gua. These factors are considerably significant in that it is a work that complements the traditional reading of the novel and see the novel as a new angle.

참고문헌 (9)

  1. 陳壽, "三國志" (1959), 中華書局
  2. 劉義慶, "世說新語校釋" (2011), 上海古籍出版社
  3. 羅貫中, "三國演義" (1990), 人民文學出版社
  4. 沈約, "宋書" (1974), 中華書局
  5. 聞一多, "聞一多全集" (1993), 湖北人民出版社
  6. 袁行霈, "中華文明史" (2006), 北京大學出版社
  7. 周振甫, "周易譯注" (1991), 中華書局
  8. 周思羽, "中國符號" (2005), 江蘇人民出版社
  9. 王永寬, "論羅貫中的≪趙太祖龍虎風雲会≫雜劇——與≪残唐五代史演義傳≫ㆍ≪三國志演義≫及李玉≪風雲會≫傳奇相比較", 昆明學院學報, (2) (2012)

관련 논문AI추천

이 간행물의 다른 논문 (12건)