국가의 경계선, 욕망의 임계점 - 위다푸(郁達夫) 초기 소설에서 민족/국가와 리비도의 문제

Abstract

On reading Yu Dafu's novels, the national and the libidinal often appear as the problem which we can't easily solve. My article begins with this problematic condition. Through interpretation of Yu Dafu's early novels, I'll insist the dominant of narrative--the desire, the self, the national and the home and so on--is unevenly disseminated. This particular aspect disturbs the narrative in the articulating the core of novel and at the same time makes the narrative embody the deep meaning and influence. And this concern gives us the new horizon to reinterpretate the national in Sinking("Chenlun") which has the position determined as an example of "nationalism" narrative. In main issue, I investigate the relationship between the individual desire and the national and the texture of novel throung Sinking and Migration to the South("Nanqian"). Through this investigation, I maintain the national is not appear as the absolute concept and is the concept of newly constituting the boundary against the desire of the self, which is all flushed with tension. On the contrary, this tension gives the energy to desire: the self stirs up the national; at once it undermines the boundary of the national. In this point, the desire of the self becomes mechanism of questioning the national. Thus in undermining and negotiating each other, the desire and the national increase the tension. Sinking and Migration to the South respectively experiment on the world of the centripetal force and the centrifugal force. This novels conduct the experiment on the boundary of the national and the critical of the desire. But the narrative shows the hero does not die until he steps on the boundary and goes cross the critical point. The same consequences of two different narrative prepare the basic condition of the home-coming narrative.