장아이링 <色, 戒>의 정동(affect)적 독법

Abstract

Eileen Chang’s novels mostly deal with women’s affection. However, her novels represent different narratives than classic novels centered on the marriage system or free love in problem novels after 5.4. In Eileen Chang’s novel, women’s emotions are expressed in a affect narrative, especially in the relationship with men’s emotions. affect is an objective, not a subjective feeling like feeling, as Deleuze said, but an extension of emotion produced in the social and public sphere. The feelings and emotions of love are different from those of affect, which is called love, but belong to affect. In terms of incidence, love comes from affect. The feelings of love and all the complex and complex forms of emotion that arise from love are all coming from the affect of love. In “Lust and Caution”, the complex emotional patterns resulting from love are woven into the narrative of affect. Love can be said to be a constant topic of conversation for Eileen Chang’s work. The relationship between WangJiazi and Yi in the novel “Lust and Caution” is love. The behavioral characteristics of love confirm that the movement of love is objective in the form of expression. Eileen Chang’s “Lust and Caution” depicts a situation in which a woman and a man named WangJiazi and Yi fell in love, like acting on stage, which they wanted to reject but could not resist.