문학지리학 관점에서 본 영화 ≪연지구 胭脂扣≫가 구축한 올드 상하이
The Old Shanghai Constructed in the Film “Rouge” from a Literary Geography Perspective
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Since the 1980s, a large number of films set in 1930s Shanghai have emerged in the Hong Kong and mainland Chinese film industries, and many scholars have referred to them as “Shanghai nostalgia films.” The wave of old Shanghai nostalgia that swept through the film industry has evoked a sense of Shanghai nostalgia in literary works, intertwining with the “Haipai style” research discussed in domestic and international literary theory circles, and has become a noteworthy cultural phenomenon. In fact, the success of films centered on old Shanghai in the Hong Kong film industry is not a mere coincidence; it is rooted in profound socio-cultural contexts. Its origins lie in Hong Kong’s attempts to explore and affirm its own identity. The 1987 film “Rouge”, directed by Stanley Kwan, is a classic of Hong Kong cinema’s golden age. Through its dual temporal-spatial narrative structure and the symbolic representation of old Shanghai, it vividly embodies traditional culture. Therefore, this paper takes Stanley Kwan’s film “Rouge” as its research subject, examining the unique literary landscape of old Shanghai constructed in the film from the perspective of literary geography, and exploring the literary memory and value embedded within it.
Abstract
Since the 1980s, a large number of films set in 1930s Shanghai have emerged in the Hong Kong and mainland Chinese film industries, and many scholars have referred to them as “Shanghai nostalgia films.” The wave of old Shanghai nostalgia that swept through the film industry has evoked a sense of Shanghai nostalgia in literary works, intertwining with the “Haipai style” research discussed in domestic and international literary theory circles, and has become a noteworthy cultural phenomenon. In fact, the success of films centered on old Shanghai in the Hong Kong film industry is not a mere coincidence; it is rooted in profound socio-cultural contexts. Its origins lie in Hong Kong’s attempts to explore and affirm its own identity. The 1987 film “Rouge”, directed by Stanley Kwan, is a classic of Hong Kong cinema’s golden age. Through its dual temporal-spatial narrative structure and the symbolic representation of old Shanghai, it vividly embodies traditional culture. Therefore, this paper takes Stanley Kwan’s film “Rouge” as its research subject, examining the unique literary landscape of old Shanghai constructed in the film from the perspective of literary geography, and exploring the literary memory and value embedded within it.