미얀마 칠기의 기원과 발전과정: 사회문화적 의미의 탐구를 위한 시론
Myanmar Lacquerers: Their Historical Tradition and Sociocultural Meanings
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Despite the admirable cultural heritage, the artistic tradition of Myanmar has been little known today to outer world. This is mainly explained by the fact that for much of the last fifty years Myanmar has been under the military rule unwilling to open the country. In this respect, the tradition of lacquerware is also the case without exception. To recognize the tradition of lacquer craft in Myanmar leads us deeply to understand its cultural and society, since the lacquerware has been used in a variety of cultural and social activities. This paper, therefore, is mainly aimed at examining the historical tradition and sociocultural meanings of Myanmar lacquerware craft. In addition, the paper will describe the history of the lacquerware yun, a derived word from Tai neighbors, indicating its origin, and scrutinize the basic material for lacquer production, various types of traditional lacquerwares.
Abstract
Despite the admirable cultural heritage, the artistic tradition of Myanmar has been little known today to outer world. This is mainly explained by the fact that for much of the last fifty years Myanmar has been under the military rule unwilling to open the country. In this respect, the tradition of lacquerware is also the case without exception. To recognize the tradition of lacquer craft in Myanmar leads us deeply to understand its cultural and society, since the lacquerware has been used in a variety of cultural and social activities. This paper, therefore, is mainly aimed at examining the historical tradition and sociocultural meanings of Myanmar lacquerware craft. In addition, the paper will describe the history of the lacquerware yun, a derived word from Tai neighbors, indicating its origin, and scrutinize the basic material for lacquer production, various types of traditional lacquerwares.
참고문헌 (23)
- 이동일, "칠공예의 역사적 기원에 대한 연구", 석사, pp.1981
- 정해조, "한국의 옻도입과 활용에 관한 연구", 한국공예논총, 1, pp.257~273 (1998)
- Fraser-Lu, Sylvia, "Burmese Crafts: Past and Present" (1994), Oxford University Press
- Furnivall, John S., "Europeans in Burma", Journal of Burma Research Society, 31(1), pp.35~40 (1941)
- Garner, Harry, "Chinese Lacquer" (1979), Faber and Faber
- Harvey, G. E., "History of Burma: From the Earliest Times to 10 March 1824 the Beginning of the English Conquest" (1925), Longmans, Green and Co.
- Hting Aung, Maung, "A History of Burma" (1967), Columbia University Press
- Isaacs, Ralph, "Vision from the Golden Land: Burma and the Art of Lacquer" (2000), Art Media Resources
- Kala, U., (1962), Hanthawaddy
- Kerlogue, Fiona, "Arts of Southeast Asia" (2004), Thames & Hudson
- Khin Myo Chit, "Colourful Burma" (1988), Rangoon University Press
- Le May, Reginald, "The Culture of South-East Asia: The Heritage of India" (1964), George Allen & Unwin
- Luce, Gorden H., "The Ancient Pyu", Journal of Burma Research Society, 27(3), pp.239~253 (1937)
- Morris, A. P., "Lacquer Ware Industry of Burma", Journal of Burma Research Society, 9(1), pp.1~13 (1919)
- Pe Maung Tin, U, "The Glass Palace Chronicle of the Kings of Burma" (1960), Rangoon University Press
- Rawson, Philip, "The Art of Southeast Asia" (1995), Thames and Hudson
- Singer, Noel F., "Nineteenth Century Court Lacquerware from Myanmar and the Box of "the Sorceress"", Arts of Asia, 26(4), pp.91~101 (1996)
- Symes, Michael, "An Account of an Embassy to the Kingdom of Ava Sent by the Governor-General of India in the Year of 1795", Nicol and Wright
- Than Tun, "The Royal Orders of Burma, A.D. 1598-1885. Part III, A.D. 1751-1781", The Centre for Southeast Asian Studies, Kyoto University
- Than Tun, "The Royal Orders of Burma, A.D. 1598-1885. Part V, A.D. 1788-1806" (1806), The Centre for Southeast Asian Studies, Kyoto University
- Than Tun, "Essays on the History and Buddhism of Burma" (1988), Kiscadale Publications
- Thapyenyo Maungkou, (1971), Sapay Beikman
- Zimmer, Heinrich, "The Art of Indian Asia: Its Mythology and Transformations" (1983), Princeton University Press